Do Nothin' Till You Hear From Me
Earl Hines · Other Songs - Earl Hines
But they wouldn't hurt you, not much
Since everyone spread the story
With his own little personal touch
Do nothin' till you hear from me
Pay no attention to what's said
Why people tear the seam of anyone's dream
Is over my head
Do nothin' till you hear from me
At least consider our romance
If you should take the word of others you've heard
I haven't a chance
True I've been seen with someone new
But does that mean that I'm untrue
When we're apart the words in my heart
Reveal how I feel about you
Some kiss may cloud my memory
And other arms may hold a thrill
But please do nothin' till you hear it from me
And you never will
Do nothin' till you hear from me
Do nothin' till you hear from me
Pay no attention to what's said
Why people tear the seam of anyone's dream
Is over my head
Do nothin' till you hear from me
At least consider our romance
If you should take the word of others you've heard
I haven't a chance
True I've been seen with someone new
But does that mean that I'm untrue
When we're apart the words in my heart
Reveal how I feel about you
Some kiss may cloud my memory
And other arms may hold a thrill
But please do nothin' till you hear it from me
And you never will
Do Nothin' Till You Hear From Me
Earl Hines' 'Do Nothin' Till You Hear From Me' stands as a quintessential example of the swing era's bebop-influenced piano style. Recorded during his prolific period in the late 1940s, the track showcases Hines' virtuosic technique and his ability to blend complex harmonic progressions with infectious rhythmic drive. As a staple of his discography, the song reflects the transition from traditional jazz to the more improvisational sounds that would define the next decade. The recording captures the energy of New Orleans jazz clubs, where Hines performed with his own group, delivering a performance that remains a benchmark for pianists seeking to emulate his unique voice. This track exemplifies the genre's evolution, offering listeners a glimpse into the sophisticated interplay between melody and rhythm that characterized the work of this influential American jazz musician.