The Lady Is A Tramp

Shirley Bassey · Other Songs - Shirley Bassey

I've wined and dined on mulligan stew

On "Live at Talk of the Town" inserted: I have, I have

And never wished for turkey

I've hitched and hiked and drifted to



From Maine to Alberquque

Alas I missed the beaux arts ball

And what is twice as sad

I was never at a party



Where they honoured Noel Coward

On "Live at Talk of the Town":

I was never at Barbra Streisands party - aaah

And that make me bloody mad



A...[unknown] funny girl

On "At The Pigalle":

Alas I'm always known as being in the pie(??)

I was never at Alma Cogans party



A shame

When she honoured Ringo Starr

On "The Birthday Concert" & video "An Audience With Shirley Bassey":

I was never at Hugh Grants party



When he honoured the great divide - ouh

His social circles move to fast for me

My hobohemia is the place to be

I get too hungry for dinner at eight



I love the theatre but never come late

I never bother with people I hate

That's why this lady is a tramp

I don't like crap games with barons and earls



Won't go to Harlem in ermine and pearls

Won't dish the dirt with the rest of those girls

That's why this lady is a tramp

I like the free fresh wind in my hair



Life without care

I'm broke... that's oke

Hate California, it's cold and it's damp

That's why this lady is a tramp



I like the free fresh wind in my hair

On "Live at Talk of the Town": I like the free fresh wind in my wig

Life without care

I'm broke... that's oke



Hate California, it's cold and it's damp

That's why this lady is a tramp

And I love it

Yes, I'm a tramp, and I love it



And I wish that you will come in my way yeah

I wish that you will come in my way yeah

I wish that you will come in my way

Yes, I'm a lady



But a tramp

The Lady Is A Tramp

Shirley Bassey's 1966 recording of 'The Lady Is A Tramp' stands as a definitive interpretation of the classic song, showcasing her distinctive vocal power and theatrical flair. Originally written by Rodgers and Hart for the 1948 film 'Kiss Me Kate', the track was famously performed by Fred Astaire in the 1956 musical 'The Music Man'. Bassey's version, released on her 'Emi / Ua Years 1959-1979' compilation, captures the song's mischievous energy while highlighting her signature alto range and dramatic delivery. The recording became a staple of her repertoire, demonstrating her ability to transform existing material into a powerful solo statement that resonated across the UK and international charts. Her performance remains a benchmark for operatic pop and musical theatre adaptations, cementing her status as a leading figure in British show business during the mid-20th century.