Frankie And Johnny
Anita O'Day · Other Songs - Anita O'Day
Frankie and Johnny were sweethearts,
Boy, how they could love!
Swore to be true to each other,
True as the stars above!
'Cause he was her man,
But he done her wrong!
One night Frankie happened to pass by the hotel;
Just casually glanced into a window so high,
And who did she see but her lovin' man
Lovin' up old Nellie Bligh!
She caught her man
Doin' her wrong!
Well, she went round the corner to her favourite pawn shop;
This time she didn't go there for fun!
'Cause when she left, underneath her long red kimono,
She was totin' a forty-four gun!
She was gunnin' for her man
Who was doin' her wrong!
Then back Frankie dashed to that hotel,
Started yankin' the bell!
She said, "Stand back, you madam and floozies,
Or I'll blow each and every one of you straight to hell!
I want my man
Who's done me wrong!".
Johnnie, in panic, mounted the staircase,
Screamin', "Oh Frankie, don't shoot!"
Three times she pulled a trigger on a forty-four gun,
The gun went, "Root-toot-toot!".
She nailed her man
Who'd done her wrong!
So they put her away in a dungeon,
Way up in a dark dingy cell
In the south east corner of a jail,
Where the wind seemed to blow straight from hell!
For killin' her man
Who done her wrong!
But the day Frankie mounted the scaffold,
She was just as calm as any gal could be!
And raising her eyes to heaven she cried,
"Lord, I'm comin' to thee!
I'm sorry I killed my man
Who done me wrong!".
Boy, how they could love!
Swore to be true to each other,
True as the stars above!
'Cause he was her man,
But he done her wrong!
One night Frankie happened to pass by the hotel;
Just casually glanced into a window so high,
And who did she see but her lovin' man
Lovin' up old Nellie Bligh!
She caught her man
Doin' her wrong!
Well, she went round the corner to her favourite pawn shop;
This time she didn't go there for fun!
'Cause when she left, underneath her long red kimono,
She was totin' a forty-four gun!
She was gunnin' for her man
Who was doin' her wrong!
Then back Frankie dashed to that hotel,
Started yankin' the bell!
She said, "Stand back, you madam and floozies,
Or I'll blow each and every one of you straight to hell!
I want my man
Who's done me wrong!".
Johnnie, in panic, mounted the staircase,
Screamin', "Oh Frankie, don't shoot!"
Three times she pulled a trigger on a forty-four gun,
The gun went, "Root-toot-toot!".
She nailed her man
Who'd done her wrong!
So they put her away in a dungeon,
Way up in a dark dingy cell
In the south east corner of a jail,
Where the wind seemed to blow straight from hell!
For killin' her man
Who done her wrong!
But the day Frankie mounted the scaffold,
She was just as calm as any gal could be!
And raising her eyes to heaven she cried,
"Lord, I'm comin' to thee!
I'm sorry I killed my man
Who done me wrong!".
Frankie And Johnny
Anita O'Day's 1953 recording of "Frankie And Johnny" stands as a quintessential example of the boogie-woogie style that defined her career. As a vocalist for the Tommy Dorsey Orchestra, O'Day delivered a smooth, breathy performance that perfectly complemented the driving piano rhythms and upbeat tempo characteristic of the era. The song captures the lively, dance-floor energy of mid-century swing music, showcasing her ability to blend vocal elegance with the infectious groove of the band. This track remains a significant song in her discography, illustrating her role as a leading female vocalist who helped popularize the boogie-woogie sound alongside her work with Dorsey.