I Must Have That Man
Louis Armstrong · Other Songs - Louis Armstrong
I don't need a friend
My heart is broken, it won't ever mend
I ain't much carin'
Just where I will end
I must have that man
I'm like an oven
That's cryin' for heat
He treats me awful
Each time we meet
It's just unlawful
How that boy can cheat
But I must have that man
He's hot as Hades
A lady's not safe in his arms when she's kissed
But I'm afraid that when he's cooled off
And maybe I'm ruled off his list
I'll never be missed
I need that person much worse 'n just bad
I'm half alive 'n he's drivin' me mad
He's only human if he's to be had
I must have that man
I must have that man
About I Must Have That Man
Louis Armstrong's "I Must Have That Man" stands as a quintessential example of his early swing era recordings, showcasing his unparalleled ability to blend vocal improvisation with the rhythmic drive of the jazz idiom. Released during a pivotal period in his career, the track highlights Armstrong's signature scat singing and melodic phrasing, which became hallmarks of his style and influenced generations of vocalists. The song reflects the upbeat, romantic energy characteristic of big band performances of the 1930s, capturing the spirit of the era through its infectious groove and Armstrong's charismatic delivery. As a solo feature, it demonstrates his mastery of the microphone and his capacity to convey complex musical ideas through voice alone, cementing his status as a foundational figure in jazz history. This recording serves as a testament to Armstrong's versatility, bridging the gap between traditional vocal styles and the emerging sounds of modern jazz. While often associated with his later, more polished recordings, this piece offers a glimpse into the raw, energetic performances that defined his early work. The song's enduring appeal lies in its ability to evoke the feeling of a lively dance hall, where Armstrong's voice led the way. It remains a significant song in his discography, illustrating the evolution of his artistry and the lasting impact of his contributions to American music.

