Lulu's Back In Town
Louis Prima · Other Songs - Louis Prima
Where'd she put my razor blade?
She mislaid it, I'm afraid,
It's gotta be foun'!
Ask her when she cleaned my room
What she did with my perfume;
I just can't lose it,
I've gotta use it,
'Cause Lulu's back in town.
Gotta get my old tuxedo pressed,
Gotta sew a button on my vest,
'Cause tonight I've gotta look my best,
Lulu's back in town.
Gotta get a half a buck somewhere,
Gotta shine my shoes and slick my hair,
Gotta get myself a boutonniere,
Lulu's back in town.
You can tell all my pets,
All my Harlem coquettes;
Mister Otis regrets
That he won't be aroun'.
You can tell the mailman not to call,
I ain't comin' home until the fall,
And I might not get back home at all,
Lulu's back in town.
You can bet I've got it bad,
Best complaint I've ever had;
We'll be stepping out tonight,
An' struttin', an' how.
We're in for the swellest time,
Finish up without a dime;
Look here, you fellers,
I'll make you jealous,
My Lulu, she's a wow.
Gotta get my old tuxedo pressed,
Gotta sew a button on my vest,
'Cause tonight I've gotta look my best,
Lulu's back in town.
Gotta get a half a buck somewhere,
Gotta shine my shoes and slick my hair,
Gotta get myself a boutonniere,
Lulu's back in town.
You can tell all my pets,
All my blondes and brunettes;
Mister Otis regrets
That he won't be aroun'.
You can tell the mailman not to call,
I ain't comin' home until the fall,
And I might not get back home at all,
Lulu's back in town.
Lulu's Back In Town
Louis Prima's 1955 recording of 'Lulu's Back In Town' stands as a definitive example of the swing era's vibrant jazz and cabaret fusion. The track features Prima's signature energetic trumpet solo and a lively, driving rhythm section that propelled the song to international popularity. Released during a period when Prima was revitalizing his career with a focus on upbeat, danceable numbers, the recording captures the infectious spirit of the mid-20th century. The song's catchy melody and optimistic lyrics made it a staple in dance halls and on the radio, cementing Prima's status as a leading figure in American swing music. Its enduring appeal lies in its ability to evoke the joy and movement of the era, remaining a beloved classic for fans of big band and jazz history.
