Lulu's Back In Town

Louis Prima · Other Songs - Louis Prima

Where's that careless chambermaid?

Where'd she put my razor blade?

She mislaid it, I'm afraid,

It's gotta be foun'!

Ask her when she cleaned my room

What she did with my perfume;

I just can't lose it,

I've gotta use it,

'Cause Lulu's back in town.



Gotta get my old tuxedo pressed,

Gotta sew a button on my vest,

'Cause tonight I've gotta look my best,

Lulu's back in town.

Gotta get a half a buck somewhere,

Gotta shine my shoes and slick my hair,

Gotta get myself a boutonniere,

Lulu's back in town.

You can tell all my pets,

All my Harlem coquettes;

Mister Otis regrets

That he won't be aroun'.

You can tell the mailman not to call,

I ain't comin' home until the fall,

And I might not get back home at all,

Lulu's back in town.



You can bet I've got it bad,

Best complaint I've ever had;

We'll be stepping out tonight,

An' struttin', an' how.

We're in for the swellest time,

Finish up without a dime;

Look here, you fellers,

I'll make you jealous,

My Lulu, she's a wow.



Gotta get my old tuxedo pressed,

Gotta sew a button on my vest,

'Cause tonight I've gotta look my best,

Lulu's back in town.

Gotta get a half a buck somewhere,

Gotta shine my shoes and slick my hair,

Gotta get myself a boutonniere,

Lulu's back in town.

You can tell all my pets,

All my blondes and brunettes;

Mister Otis regrets

That he won't be aroun'.

You can tell the mailman not to call,

I ain't comin' home until the fall,

And I might not get back home at all,

Lulu's back in town.

Lulu's Back In Town

Louis Prima's 1955 recording of 'Lulu's Back In Town' stands as a definitive example of the swing era's vibrant jazz and cabaret fusion. The track features Prima's signature energetic trumpet solo and a lively, driving rhythm section that propelled the song to international popularity. Released during a period when Prima was revitalizing his career with a focus on upbeat, danceable numbers, the recording captures the infectious spirit of the mid-20th century. The song's catchy melody and optimistic lyrics made it a staple in dance halls and on the radio, cementing Prima's status as a leading figure in American swing music. Its enduring appeal lies in its ability to evoke the joy and movement of the era, remaining a beloved classic for fans of big band and jazz history.