Three Handed Woman
Louis Prima · Other Songs - Louis Prima
She's right-handed, and left-handed, and under-handed too
She's a three handed woman and she knows just what to do
She's a three handed woman and she ain't no good for you
With her left hand she'll caress you while her right hand
straightens your tie
Then she'll pick up the telephone call up another guy
You could take her here and take her there, but you'll find before
you are through
You think you've been takin' her, but she's been takin' you
'Cause she's a three handed woman and she knows just what to do
She's a three handed woman and she ain't no good for you
Ev'ry time you take her dancin', while her arms hold you tight
'Cross your shoulder she's makin' eyes at ev'ry man in sight
When she says goodnight, she tells you you're the one she's crazy
about
But you can bet that someone else walks in when you walk out
'Cause she's a three handed woman and she knows just what to do
She's a three handed woman and she ain't no good for you
Three Handed Woman
Louis Prima's 'Three Handed Woman' stands as a vibrant testament to the swing era's infectious energy and theatrical flair. Recorded in the mid-1930s, the track exemplifies Prima's signature style, blending a driving trombone solo with a lively ensemble that defined big band performance. The song captures the optimistic, danceable spirit of the period, featuring Prima's charismatic vocal delivery that encouraged movement and celebration. As a staple of his discography, the recording showcases the seamless integration of jazz improvisation and popular songwriting that made Prima a household name. Its enduring appeal lies in its rhythmic complexity and the joyous atmosphere it creates, making it a quintessential example of American swing music from the golden age of the big band.