Jezebel
Tom Jones · Other Songs - Tom Jones
Jezebel
She cast a spell
After the show
If you meet her at the backdoor
She likes the boys in the band
She was a one-night-stand
But you better watch your wallet
She clean out your pockets
Jezebel
Jezebel
She's fine as hell
I met her in a pub
That's when she cast her spell
I looked in her eyes
It was time to bail
We left the club sometime after twelve
Now she got me hypnotized to the bossa nova
Trapped in the twilight hoping this spell could be over
[Chorus]
Jezebel
She's a crook
Seduces men with her looks
She'll control your mind
And then she'll rob you blind
Jezebel
She looks alive from crime
Now she still got me hypnotized to the bossa nova
Trapped in the twilight hoping this spell could be over
[Chorus: x2]
Mama, lay me down to sleep
I pray the Lord my soul to keep
But if I die before I wake
I pray the Lord my soul to take
Now I learned from my mistakes
And when I woke from the nightmare dream
I realized it's not too late
If there's anybody out there that knows a Jezebel
Watch your back or she will send your soul to hell
[Chorus: x2]
Jezebel, Jezebel, Jezebel, Jezebel
About Jezebel
Tom Jones's 1966 recording of "Jezebel" stands as a definitive example of his ability to reinterpret classic rock and roll standards with a distinctive, soulful vocal approach. Originally written by Chuck Berry and released by Ike & Tina Turner, the song was transformed by Jones into a slow-burning ballad that showcased his signature deep baritone and emotive delivery. This version became a major hit in the United Kingdom, reaching the top of the charts and cementing Jones's status as a leading figure in British pop music during the mid-1960s. The track exemplifies the era's shift toward more mature, emotionally resonant interpretations of existing material, distinguishing Jones from his contemporaries who often performed faster-paced numbers. Its enduring popularity highlights the artist's capacity to infuse traditional songs with a new, timeless quality that resonated across generations. The recording remains a staple of his discography, frequently included in compilations that celebrate his contributions to the genre and his influence on subsequent vocal styles.