Subdivisions
Rush · Other Songs - Rush
Sprawling on the fringes of the city
In geometric order
An insulated border
In between the bright lights
And the far unlit unknown
Growing up it all seems so one-sided
Opinions all provided
The future pre-decided
Detached and subdivided
In the mass production zone
Nowhere is the dreamer
Or the mystic so alone
Subdivisions -
In the high school halls
In the shopping malls
Conform or be cast out
Subdivisions -
In the basement bars
In the backs of cars
Be cool or be cast out
Any escape might help to smooth
The unattractive truth
But the salesmen have no charms to soothe
The restless dreams of youth
Drawn like moths we drift into the city
The timeless old attraction
Cruising for the action
Lit up like a firefly
Just to feel the living night
Some will sell their dreams for small desires
Or lose the race to rats
Get caught in ticking traps
And start to dream of somewhere
To relax their restless flight
Somewhere out of a memory
Of lighted streets on quiet nights...
In geometric order
An insulated border
In between the bright lights
And the far unlit unknown
Growing up it all seems so one-sided
Opinions all provided
The future pre-decided
Detached and subdivided
In the mass production zone
Nowhere is the dreamer
Or the mystic so alone
Subdivisions -
In the high school halls
In the shopping malls
Conform or be cast out
Subdivisions -
In the basement bars
In the backs of cars
Be cool or be cast out
Any escape might help to smooth
The unattractive truth
But the salesmen have no charms to soothe
The restless dreams of youth
Drawn like moths we drift into the city
The timeless old attraction
Cruising for the action
Lit up like a firefly
Just to feel the living night
Some will sell their dreams for small desires
Or lose the race to rats
Get caught in ticking traps
And start to dream of somewhere
To relax their restless flight
Somewhere out of a memory
Of lighted streets on quiet nights...
Subdivisions
Rush's 'Subdivisions' stands as a defining track from their 1978 album 'Signals', showcasing the band's signature blend of progressive rock and hard rock. The song features Geddy Lee's intricate bass lines and Neil Peart's complex drumming, characteristic of the group's technical prowess during this era. Thematically, it explores the concept of division and separation, reflecting a period where Rush began to incorporate more conceptual narratives into their music. The track remains a staple of their discography, illustrating their ability to balance intricate musical structures with accessible melodies that have influenced countless artists in the progressive and alternative rock genres.