Hallelujah, I Love Her So

Sammy Davis Jr. · Other Songs - Sammy Davis Jr.

Let me tell you 'bout a girl I know

She is my baby and she lives next door

Every mornin' 'fore the sun comes up

She brings me coffee in my favorite cup

That's why I know, yes, I know

Hallelujah, I just love her so



When I'm in trouble and I have no friend

I know she'll go with me until the end

Everybody asks me how I know

I smile at them and say, "She told me so"

That's why I know, oh, I know

Hallelujah, I just love her so



Now, if I call her on the telephone

And tell her that I'm all alone

By the time I count from one to four

I hear her [KNOCK-KNOCK-KNOCK-KNOCK] on my door



In the evening when the sun goes down

When there is nobody else around

She kisses me and she holds me tight

And tells me, "Daddy, everything's all right"

That's why I know, yes, I know

Hallelujah, I just love her so



Now, if I call her on the telephone

And tell her that I'm all alone

By the time I count from one to four

I hear her [KNOCK-KNOCK-KNOCK-KNOCK] on my door



In the evening when the sun goes down

When there is nobody else around

She kisses me and she holds me tight

And tells me, "Daddy, everything's all right"

That's why I know, yes, I know

Hallelujah, I just love her so

Oh, hallelujah

Don't you know, I just love her so

She's my little woman, waitin' all this time

Babe, I'm a little fool for you, little girl.

About Hallelujah, I Love Her So

Sammy Davis Jr.'s "Hallelujah, I Love Her So" stands as a quintessential example of his unique ability to blend jazz sophistication with popular appeal. Recorded during the height of his career, the track showcases his signature vocal style, characterized by a smooth, charismatic delivery that effortlessly navigated the boundaries between R&B, jazz, and show business. As a central figure in the integration of black and white entertainment, Davis often utilized songs like this to highlight themes of romantic devotion and personal joy, reflecting the optimism that defined his public persona. The recording captures the essence of mid-20th-century musical theater, where the line between live performance and studio production blurred, allowing artists to craft memorable moments that resonated across diverse audiences. This particular song remains a testament to Davis's versatility and his enduring legacy as a performer who could command attention through both his singing and his stage presence.