I Can't Believe That You're In Love With Me
Duke Ellington · Other Songs - Duke Ellington
And when you smiled at me,
In my heart I felt a thrill you see,
That it was love at sight and
I was right to love you as I do.
Still I never dreamed that you could love me too.
Your eyes of blue, your kisses too,
I never knew what they could do.
I can't believe that you're in love with me.
You're telling ev'ry one I know
I'm on your mind each place we go
They can't believe that you're in love with me.
I have always placed you far above me.
I just can't imagine that you love me.
And after all is said and done,
To think that I'm the lucky one.
I can't believe that you're in love with me.
Skies are gray. I'm blue each day
When you are not around.
Ev'ry thing goes wrong, my dear I've found
But when you're by my side I fill with pride
For I'm so proud of you
It all seems too good to me to all be true
Your eyes of blue, your kisses too,
I never knew what they could do.
I can't believe that you're in love with me.
You're telling ev'ry one I know
I'm on your mind each place we go
They can't believe that you're in love with me.
I have always placed you far above me.
I just can't imagine that you love me.
And after all is said and done,
To think that I'm the lucky one.
I can't believe that you're in love with me.
About I Can't Believe That You're In Love With Me
Duke Ellington's "I Can't Believe That You're In Love With Me" stands as a quintessential example of his sophisticated approach to jazz balladry, blending lush orchestration with intimate vocal delivery. Recorded during the swing era, the track exemplifies Ellington's ability to weave complex harmonic progressions into emotionally resonant melodies that transcended the typical dance-oriented norms of the time. The song reflects his signature style of incorporating diverse musical influences and showcasing the virtuosity of his musicians, creating a sound that was both innovative and deeply rooted in the traditions of American jazz. This recording captures a moment where Ellington explored the nuances of romantic expression, utilizing a rich arrangement that highlighted the interplay between his orchestra and the featured vocalist. While specific chart positions or release dates vary across different editions, the piece remains a significant part of his discography, illustrating his commitment to crafting works that appealed to both casual listeners and discerning critics. Its enduring appeal lies in its ability to convey the complexities of modern love through a timeless musical language, cementing its place in the canon of great jazz standards.