Fourth Of July
Shooter Jennings · Other Songs - Shooter Jennings
Painting a picture of you
And me driving across country, in a dusty old RV
Just the road and its majesty
And I'm looking at you with the world in the rear view
Chorus-
You were pretty as can be, sitting in the front seat
Looking at me, telling me you love me ,and your happy to be,
With me on the 4th of July
We sang Stranglehold to the stereo
Couldn't take no more of that rock n roll
So we put on a little George Jones and just sang along
Those white lines get drawn into the sun if you aint got no one
To keep you hanging on
but there you were like a queen with your nightgown,
riding shotgun from town to town
Staking a claim on the world we found
And I'm singing to you, your singing to me ,you were out of the blue to a boy like me
Chorus-
You were pretty as can be, sitting in the front seat
Looking at me, telling me you love me ,and your happy to be,
With me on the 4th of July
We sang Stranglehold to the stereo
Couldn't take no more of that rock n roll
So we put on a little George Jones and just sang along
and im looking for you in the silence that we share
Chorus-
You were pretty as can be, sitting in the front seat
Looking at me, telling me you love me ,and your happy to be,
With me on the 4th of July
We sang Stranglehold to the stereo
Couldn't take no more of that rock n roll
So we put on a little George Jones and just sang along
Fourth Of July - Shooter Jennings
Shooter Jennings delivers a raw, country-rock anthem with 'Fourth Of July,' channeling the spirit of Southern outlaw music. As a son of the legendary Willie Nelson, Jennings blends his father's acoustic storytelling with a heavier, more aggressive guitar tone that defines his own sonic identity. The track captures the tension and celebration of the Fourth of July, reflecting on the complexities of patriotism and personal freedom through a lens of gritty authenticity. Recorded in the mid-2000s, the song stands as a testament to the enduring legacy of the outlaw movement while firmly establishing Jennings' place in the modern country landscape. It serves as a powerful reminder of the genre's roots in rebellion and honest expression.

