Only An Ocean Away
Sarah Brightman · Other Songs - Sarah Brightman
I walk a hundred streets of neon lights,
Only when I'm crying.
Can you hear me crying.
So many times you always wanted more,
Chasing illusions that you're longing for.
Wish I wasn't crying.
Can you hear me crying.
There's an ocean between us.
You know where to find me.
You reach out and touch me.
I feel you in my own heart.
More than a lifetime.
Still goes on forever.
But it helps to remember
You're only an ocean away.
Was there a moment when I felt no pain.
I want to feel it in my life again.
Let it be over now.
Oh Oh over now.
'Cause I remember all the days and nights
We used to walk the streets of neon lights
Oh I want you here with me.
Oh be here with me.
There's an ocean between us.
You know where to find me.
You reach out and touch me.
I feel you in my own heart.
More than a lifetime
Still goes on forever.
But it helps to remember
You're only an ocean away.
So many times you always wanted more,
Chasing illusions that you're longing for.
Wish I wasn't crying.
Can you hear me crying.
There's an ocean between us.
You know where to find me.
Just reach out and touch me.
I feel you in my own heart.
More than a lifetime
It seems like forever.
But I'll always remember
You're only an ocean away.
Only an ocean away.
About Only An Ocean Away
Sarah Brightman's "Only An Ocean Away" stands as a poignant example of her signature blend of classical vocal technique with contemporary pop and rock arrangements. Released during a period where she expanded her repertoire beyond her most famous duets, the track showcases her ability to convey deep emotion through a solo performance. The song utilizes her powerful, operatic tone to explore themes of longing and distance, fitting within the broader landscape of her discography that often bridges traditional classical influences with modern production styles. While the specific album placement for this recording may vary in different releases, the song remains a testament to her versatility as a vocalist. It reflects the era in which she sought to establish herself as a solo artist capable of commanding attention with her own voice, distinct from her collaborative work. The composition serves as a bridge between her earlier romantic ballads and her more experimental projects, highlighting her commitment to exploring diverse musical textures and emotional narratives without relying on traditional duet structures.