To Kill The Child
Roger Waters · Other Songs - Roger Waters
In the starlit night
Safe in the glow of his Donald Duck light
How strange to choose to end a life
How strange to choose to kill a child
Hoover, Blaupunkt, Nissan Jeep
Nike, Addidas, Lacoste and cheaper brands
Cadillac, Amtrak, gasoline, diesel
Our standard of living, could this be a reason
That we would choose to kill the child
That we would choose to kill the child
Allah, Jehovah, Buddah and Christ
Confucius and Kali and reds, beans and rice
Goujons of sole, ris de veau, ham hocks
Lox bagels and bones and commandments in stone
The Bible, Koran, Shinto, Islam
Prosciutto, risotto, falafel and ham
Is it dogma, doughnuts, ridicule faith
Fear of the dark, or shame or disgrace
That we would choose to kill the child
That we would choose to kill the child
It's cold in the desert
And the space is too big
The rope is too short
And the walls are too thick
I will show you no weakness
I will mock you in song
Berate and deride you
Belittle and chide you
Beat you with sticks
And bulldoze your home
You can watch my triumphant procession to Rome
Best seat in the house
Up there on the cross
Is it anger or envy, profit or loss
That we would choose to kill the child
That we would choose to kill the child
Take this child and hold him closely
Keep him safe from the holy reign of terror
Take this child and hold him closely
Take this child to the moral high ground
Where he can look down on the bigots and bully boys
Slugging it out in the yard
To Kill The Child
Roger Waters' "To Kill The Child" stands as a poignant exploration of innocence lost, reflecting the introspective themes that define much of his solo career. Emerging from the same creative period as his acclaimed work with Pink Floyd, the track showcases Waters' signature blend of political commentary and personal narrative. The song's composition highlights his ability to craft emotionally resonant music that addresses universal human experiences. While often associated with his broader discography of socially conscious rock, this recording offers a distinct moment of vulnerability. It captures the essence of Waters' artistic evolution, moving beyond the band's collective sound to establish a more intimate, solitary voice. The piece remains a significant song in his catalogue, demonstrating his enduring capacity to connect with listeners through raw, unadorned storytelling and melodic depth.