Don't Fence Me In

Kate Smith · The Columbia Years 1940-1946 [2001]

Wildcat Kelly, lookin' mighty pale

Was standin' by the Sherriff's side

And when that Sherriff said, "I'm sending you to jail"

Wildcat raised his head and cried



Oh, give me land, lots of land under starry skies above

Don't fence me in

Let me ride through the wide open country that I love

Don't fence me in



Let me be by myself in the evenin' breeze

And listen to the murmur of the cottonwood trees

Send me off forever but I ask you please

Don't fence me in



Just turn me loose, let me straddle my old saddle

Underneath the western skies

On my cayuse, let me wander over yonder

Till I see the mountains rise



I want to ride to the ridge where the west commences

And gaze at the moon till I lose my senses

I can't look at hobbles and I can't stand fences

Don't fence me in



Wilcat Kelly, back in town again

Was standin' by his Sweetheart's side

And when his Sweetheart said, "Come on, let's settle down"

Wildcat raised his head and cried



Oh, give me land, lots of land under starry skies

Don't fence me in

Let me ride through the wide open country that I love

Don't fence me in



Let me be by myself in the evenin' breeze

And listen to the murmur of the cottonwood trees

Send me off forever but I ask you please

Don't fence me in



Just turn me loose, let me straddle my old saddle

Underneath the western skies

On my Cayuse, let me wander over yonder

Till I see the mountains rise



I want to ride to the ridge where the west commences

And gaze at the moon till I lose my senses

I can't look at hobbles and I can't stand fences

Don't fence me in

Don't Fence Me In

Kate Smith's rendition of 'Don't Fence Me In' stands as a testament to her commanding vocal presence during the golden age of American popular music. Known for her rich contralto and dramatic delivery, Smith brought a unique gravitas to this Western-themed standard, transforming it into a showcase of her expansive range. The recording captures her ability to navigate both intimate ballads and spirited up-tempo numbers with equal authority. As a staple of her extensive discography, this performance highlights her status as a defining voice of the era, bridging the gap between traditional show tunes and the emerging sounds of the 1940s. Her interpretation remains a cherished example of how a master vocalist can imbue a song with enduring emotional resonance and stylistic flair.