Get Busy (Remix Feat. Fatman Scoop)
Sean Paul · Other Songs - Sean Paul
Shake dat thing Miss Kana Kana
Shake dat thing Miss Kana Kana
Shake dat thing Miss Kana Kana
Shake dat thing Miss
Woman Get busy, Just shake that booty non-stop
When the beat drop, just keep swinging it
Get jiggy, get crunked up
Percolate anything you want to call it
Oscillate you hip and donÂ’t take pity
Me want fi see you get live ‘pon the riddim when me ride
And me lyrics a provide electricity
Gal nobody can't tell you nuttinÂ’
Caw you done know your destiny
[Fatman Scoop]
Remix...
Drop your pants now
Drop your pants now
Drop your pants now
Drop your pants now
Touch your ear
Touch your nose
Touch your thigh
Reach for the sky
Touch your ear
Touch your nose
Touch your thigh
Reach for the sky
Ey yo (Ey yo)
Iight (Iight)
Wussup (Wussup)
Wussup (Wussup)
Ey yo (Ey yo)
Iight (Iight)
Wussup (Wussup)
Wussup (Wussup)
[Sean Paul]
Yo, Sexy ladies want par with us
In a the car with us, them nah war with us
In a the club them want flex with us
To get next to us, them cah vex with us
From the day me born jah ignite me flame gal a call me name and its me fame
Its all good girl turn me on
‘Til a early morn’
LetÂ’s get it on
Let’s get it on ‘til a early morn'
Girl itÂ’s all good just turn me on
Woman donÂ’t sweat it, donÂ’t get agitate just gwaan rotate
Can anything you want you know you must get it
From you name a mention
DonÂ’t ease the tension just run the program gals wan pet it
Just have a good time
Gal free up on ya mind caw nobody can dis you man won‘t let it can
You a the number one gal
Wave you hand
Make them see you wedding band
[Fatman Scoop]
Get up, from that ass, girl
Get up, from that ass
Get up, from that ass, girl
Get up, from that ass
Log on now
Log on now
Log on now
Log on now, Stop
Online now
Online now
Online now
Online now, Stop
For the river now
For the river now
For the river now
For the river now, Stop
Heel-and-toe now
Heel-and-toe now
Heel-and-toe now
Heel-and-toe now, Stop
[Sean Paul]
Shake that thing
Miss kimmy kimmy shake that thing
Shake that thing Miss Donna Donna
Jodi and Rebecca
Woman Get busy, Just shake that booty non-stop
When the beat drop, just keep swinging it
Get jiggy, get crunked up
Percolate anything you want to call it
Oscillate you hip and donÂ’t take pity
Me want fi see you get live ‘pon the riddim when me ride
And me lyrics a provide electricity
Gal nobody can't tell you nuttinÂ’
Caw you done know your destiny
[Fatman Scoop]
Yo, yo, yo, yo, hold up, hold up
Yo Sean man, they know we came here to party
Brookland Glance, let's go
[Sean Paul]
Yo, Sexy ladies want par with us
In a the car with us, them nah war with us
In a the club them want flex with us
To get next to us, them cah vex with us
From the day me born jah ignite me flame gal a call me name and its me fame
Its all good girl turn me on
‘Til a early morn’
LetÂ’s get it on
Let’s get it on ‘til a early morn'
Girl itÂ’s all good just turn me on
Let’s get it on ‘til a early morn'
Girl itÂ’s all good just turn me on
Let’s get it on ‘til a early morn'
Girl itÂ’s all good just turn me on
Let’s get it on ‘til a early morn'
Girl itÂ’s all good just
[Fatman Scoop]
If your ass is fat, bend over
If your stomache is flat, bend over
If you got a cute face, bend over
No stretch marks on your waist, bend over
Where the big girls at
Where the big girls at
Where the big girls at
Where they at
Where they at
Where the big girls at
Where the big girls at
Where the big girls at
Where they at
Where they at
If you got a lot of weight, bend over
Thick in the right ways, bend over
You got a nice soft butt, bend over
Size 13 and up, bend over
Get Busy (Remix Feat. Fatman Scoop)
Sean Paul's 'Get Busy' stands as a defining track of the late 2000s dancehall and reggae fusion era, originally released on the compilation album 'Other Songs.' The song features the prominent American rapper Fatman Scoop, whose energetic delivery complements Paul's signature melodic flow and rhythmic vocal inflections. Produced with a heavy, driving bassline and crisp percussion, the recording captures the infectious energy that characterized dancehall music during its peak global influence. The collaboration between the two artists highlights the cross-cultural appeal of the genre, blending Caribbean rhythms with hip-hop sensibilities to create a high-energy anthem. This track remains a staple in dancehall discographies, celebrated for its ability to drive movement and its role in popularizing the genre's sound on international stages.
