Some Things Are Better Left Unsaid

Daryl Hall · Other Songs - Daryl Hall

I feel like I could run away

Looking at a darker day

Oh, I'm pulling the shades away from my eyes

It's true, the moody manners come and go

And it's better that you never know



Some things are better left unsaid

Some strings are better left undone

Some hearts are better left unbroken



Some lives are better left untouched

Some lies are better off believed

Some words are better left unspoken



My ideas seem to frighten you

Are you really that afraid to move?

Oh, I guess that it's your right to reason

I'm still dealing with a force that's so strong

The force is stringing us along



Some things are better left unsaid

Some strings are better left undone

Some hearts are better left unbroken



Some lives are better left untouched

Some lies are better off believed

Some words are better left unspoken



You're living a lie, yeah

There's [Incomprehensible] say



Some things are better left

Some things are better left unsaid

Some things

Some things are better left unsaid



Some lies are better

Some things are better left unsaid

Some hearts, better

Some things are better left unsaid



Some lies are better

Some things are better left unsaid

Some things are better left

Some things are better left unsaid



Some strings

Some things are better left unsaid

Some lives are better

Some things are better left unsaid



Some hearts, better

Some things are better left unsaid

Some lives are better

Some things are better left unsaid



Some things are better left

Some things are better left unsaid

Some strings

Some things are better left unsaid

Some lives are better

Some things are better left unsaid

Some Things Are Better Left Unsaid

Daryl Hall's 'Some Things Are Better Left Unsaid' stands as a quintessential example of his signature blend of soulful R&B and smooth pop. Recorded during the height of his partnership with Odetta, the track exemplifies the lush, harmonized vocal arrangements that defined their collaborative work in the late 1970s and early 1980s. The song captures the melancholic yet romantic tone characteristic of Hall's ballads, featuring a steady groove and rich instrumentation that underscore themes of unspoken emotions and quiet longing. As a staple of his discography, it remains a defining piece of the soft rock and R&B landscape of its era, showcasing Hall's ability to craft intimate, emotionally resonant recordings that have endured as timeless standards.