A Gal In Calico

Vic Damone · Other Songs - Vic Damone

I met a gal in Calico down in Santa Fe Used to be her

Sunday beau 'Til I rode away Do I want her Do I want

her love Yes-sir-ree Will I win her Will I win her

love Wait and see Workin' with the rodeo Go from town

to town See most every kind of gal Every kind they

got But who makes my heart sing Yip-ee-aye,

Yip-ee-o My little gal in Calico

(You can have your gal Dressed in silk and satin Tose

who dress to shape And crepe to shiek Take your pretty

gal To go around Manhattan Thinking they look well

in velveteen When they're at the table We're not able

To imagine how they look) I'm just a country boy And

my country boy Knows a fancy cover Doesn't make a fancy

book (No, the fancy cover Doesn't make the book) I'll

take my gal in Calico (Calico) Down in Santa Fe

(Santa Fe, Santa Fe) I guess I better let her know

That I feel this way Is she waitin' Is she waitin'

She better be Am I hopin' To be ropin' her Yes-sir-ree

Gonna quit the rodeo (Rodeo) Gonna settle down Buy

a bow in Calico For a wedding gown Then will I fetch

her in Yip-ee-aye, Yip-ee-o My little gal in Calico

(Yip-ee-aye, Yip-ee-o) (Little gal, Calico) Yip-ee-ti-a Ti-o, ti-a Ti-o

A Gal In Calico

Vic Damone's rendition of "A Gal In Calico" stands as a testament to his mastery of the traditional pop and vocal jazz idioms. Known for his robust baritone and impeccable phrasing, Damone frequently interpreted standards that highlighted his emotional depth and technical precision. This recording captures the essence of mid-century American songwriting, blending narrative storytelling with a polished, orchestral backdrop typical of his era. While the specific arrangement may vary across releases, the song remains a staple in Damone's extensive catalogue, showcasing his ability to bring warmth and character to classic material. His approach to such numbers often emphasized clarity and sentiment, ensuring that the lyrical content resonated without relying on excessive vocal gymnastics. This track exemplifies the enduring appeal of Damone's work within the broader landscape of vocal music history.