Tossin' And Turnin'

Peter Criss · Other Songs - Peter Criss

I couldn't sleep at all last night

Just a-thinkin' 'bout you

Baby, things weren't right

'Cause I was

Tossin' and turnin', turnin' and tossin'

Tossin' and turnin', tossin' and turnin' all night



I kicked the blankets on the floor

Turned my pillow upside down

I never felt this way before



'Cause I was

Tossin' and turnin', turnin' and tossin'

Tossin' and turnin', tossin' and turnin' all night



Jumped out of bed, turned on the lights

Pulled down the shade, went to the kitchen for a bite

Rolled up the shade, turned down the lights

I jumped back in the bed, was the middle of the night



The clock downstairs was strikin' three

Couldn't get you off my mind

I heard the milkman on the street



'Cause I was

Tossin' and turnin', turnin' and tossin'

Tossin' and turnin', tossin' and turnin' all night



Jumped out of bed, turned on the lights

Pulled down the shade, went to the kitchen for a bite

Rolled up the shade, turned down the lights

Jumped back in the bed, was the middle of the night



The clock downstairs was strikin' three

Couldn't get you off my mind

I heard the milkman on the street



'Cause I was

Tossin' and turnin', turnin' and tossin'

Tossin' and turnin', tossin' and turnin' all night



Tossin' and turnin' (tossin' and turnin')

Tossin' and turnin' (tossin' and turnin')

Turnin' and tossin' (turnin' and tossin')

Tossin' and turnin' (tossin' and turnin')

Tossin' and turnin' (tossin' and turnin')

Turnin' and tossin' (tossin' and turnin')

Tossin' and turnin' (tossin' and turnin'), oh

Tossin' and turnin' (tossin' and turnin')

Turnin' and tossin' (tossin' and turnin')

(Tossin' and turnin')

Tossin' and turnin' (tossin' and turnin')

Turnin' and tossin' (tossin' and turnin')

(Tossin' and turnin')

About Tossin' And Turnin'

Peter Criss's "Tossin' And Turnin'" stands as a defining track within the hard rock and heavy metal canon, showcasing his signature aggressive vocal style and rhythmic intensity. Released during the mid-1970s, the song exemplifies the raw energy and theatricality that characterized the New York Dolls' legacy before Criss's tenure with Kiss. The recording features his distinctive delivery, blending punk-inspired aggression with the polished production typical of the era's rock scene. As a staple of his discography, the track remains a powerful representation of the hard rock genre's evolution in the late seventies, capturing the spirit of a musician who pushed boundaries in both performance and sound. It continues to resonate with fans of classic rock and metal, serving as a testament to Criss's enduring impact on the industry.