Brown Eyed Woman

Helmut Zacharias · Other Songs - Helmut Zacharias

You look at me and baby, all you see are my blue eyes.

I'm not a man baby, all I am is what I symbolize.

Brown-eyed woman. (Stay away, baby.)

Brown-eyed woman. (Stay away, baby.)

Brown-eyed woman. (Stay away, baby.)

I could love you so, (no no) I could love you so, (no no)

brown-eyed woman I could love you so.

Um, um, um. All of the years all the hate and the fears

have twisted your heart.

Now you turn away, you won't trust what I say

and it's tearing me apart.

Brown-eyed woman. (Stay away baby.)

Brown-eyed woman. (Stay away, baby.)

Brown-eyed woman. (Stay away, baby.)

I could love you so, (no no) I could love you so, (no no)

brown-eyed woman I could love you so.



Yes, yes, I'm holding out my hand to you.

Darling tell me, tell me please what more can I do,

brown-eyed woman. (Stay away, baby.)

Brown-eyed woman. (Stay away, baby.)

I want you, I need you. (Stay away, baby.)

I'm holding out my hand. (Stay away, baby.)

I want you, I need you. (Stay away, baby.)

I'm holding out my hand. (Stay away, baby.)

I want you, I need you. (Stay away, baby.)

Brown Eyed Woman

Helmut Zacharias was a celebrated German violinist and composer who achieved international fame during the mid-20th century, particularly for his work in the easy listening and light classical genres. Known for his virtuosic technique and emotive phrasing, Zacharias frequently collaborated with major orchestras and recorded extensively for various labels. Brown Eyed Woman stands as a notable song in his discography, showcasing his ability to blend romantic melodies with accessible orchestral arrangements. The recording reflects the polished production style that defined much of his output, appealing to audiences who favored sophisticated instrumental interpretations of popular themes. His body of work remains a significant contribution to the history of instrumental pop music, preserving the elegance of the era through enduring performances.