Just The Two Of Us
Johnny Mathis · Other Songs - Johnny Mathis
And the beauty of it all
When the sun comes shining through
To make those rainbows in my mind
When I think of you some time
And I want to spend some time with you
Just the two of us, we can make it if we try
Just the two of us, just the two of us
Building castles in the sky
Just the two of us, you and I
We look for love, no time for tears
Wasted waters's all that is
And it don't make no flowers grow
Good things might come to those who wait
Not to those who wait too late
We got to go for all we know
Just the two of us, we can make it if we try
Just the two of us, just the two of us
Building big castles in the sky
Just the two of us, you and I
I hear the crystal raindrops fall
On the window down the hall
And it becomes the morning dew
Darling, when the morning comes
And I see the morning sun
I want to be the one with you
Just the two of us, we can make it if we try
Just the two of us, just the two of us
Building big castles way on high
Just the two of us, you and I
Just the two of us, we can make it
Just the two of us, just the two of us
Building big castles in the sky
Just the two of us, you and I
Just the two of us, let's get together, baby
Just the two of us, just the two of us
We can make it, just the two of us
Just the two of us we can make it
About Just The Two Of Us
Johnny Mathis's "Just The Two Of Us" stands as a definitive example of the romantic ballad genre, characterized by its lush orchestration and intimate vocal delivery. Recorded in the late 1960s, the track exemplifies the smooth, crooning style that defined Mathis's career and became a staple of the easy listening and adult contemporary formats. The song's enduring appeal lies in its universal theme of partnership and commitment, delivered with a warmth that resonated across generations. As a recording, it represents the peak of Mathis's ability to blend classical piano arrangements with pop sensibilities, creating a timeless atmosphere often associated with mid-century Hollywood romance films. While the song has been covered by numerous artists, Mathis's version remains the most iconic, cementing its place in the cultural lexicon as a standard for duet performances. Its inclusion in countless film soundtracks and television themes underscores its status as a permanent fixture in the American music canon, bridging the gap between traditional pop and orchestral balladry.

