Red Rose For Gregory

Gregory Isaacs · Red Rose For Gregory [1988]

Red rose for Gregory

A special delivery with question signs

From whom I don't know

Red roses for me, a token of love in secrecy



Maybe it's coming from Mary

But I've seen her since morning already

So it's not her

Could it be from June?

Oh no, I saw her early this afternoon, Lord



If it's not from June or Mary, who is it from?

It's a question to query

Who shall I thank for this red rose?

Your guess is good as mine, I suppose

Only Lord knows



But I don't wanna take no chance and call no one

As I'm not sure, I don't wanna guess and then it from

You see my list is very long, so very long



Red rose for Gregory

(Somebody sent a rose for me)

Special delivery with question signs

(And I don't know who it could be)

From whom I don't know



Red rose for me, ooh we

(Somebody sent a rose for me)

A token of love in secrecy

(And I don't know who it could be)

Top secret, who's gonna reveal it?



Suppose it's from Sandra

I wonder, she could be the answer, alright

I know she's like this, full of surprises

She is closin' up to the top of my list, Lord



But I don't wanna take no chance and call no one

As I'm not sure, I don't wanna guess and then it from

You see my list is very, very long, oh, so long



Red rose for Gregory

(Somebody sent a rose for me)

Specially breed with question signs

(And I don't know who it could be)

From whom I don't know



Red rose for me

(Somebody sent a rose for me)

A token of love with secrecy, Lord

(And I don't know who it could be)



Somebody sent a rose for me

And I don't know who it could be

Somebody sent a rose for me

And I don't know who it could be



Somebody sent a rose for me

And I don't know who it could be

Somebody sent a rose for me

And I don't know who it could be

About Red Rose For Gregory

Gregory Isaacs delivers a hauntingly intimate performance on "Red Rose For Gregory," a track that exemplifies his mastery of the English reggae and roots genres. Released in 1988 on the self-titled album, the recording captures Isaacs' signature vocal style, characterized by its raw emotion and melodic sensibility that often blends folk storytelling with rhythmic reggae underpinnings. The song stands as a testament to his ability to craft deeply personal narratives within the broader context of the genre's evolution during the late eighties. While the specific lyrical content remains private, the musical arrangement highlights Isaacs' skill in creating atmospheric soundscapes that resonate with listeners seeking authenticity. This work, alongside his extensive discography spanning decades, showcases his commitment to exploring themes of love, loss, and social observation. The track remains a significant song in his catalog, reflecting the enduring appeal of his unique voice and the timeless quality of his songwriting within the English reggae community.