Philippines 2000

Gary Granada · Other Songs - Gary Granada

Gutom ay huwag intindihin, sakit ay huwag indahin

Manalig ka sa gobyerno

Brown out, demolition, basura at inflation

Tiyaga at konti pang sakripisyo

Magtiis sa sahod, ilang taon na lang

Eto na ang NIChood, isang igkas na lang

Welcome to the future: Philippines 2000



Kailangang makautang, kailangan ng kuryente

Kailangan ng emergency powers

Outward-looking na agribusiness

World-class quality toys, handicrafts at cutflowers

Yes to land conversion, yes to strike ban

Yes to crop conversion, dollar earning yan

Welcome to the furure: Philippines 2000



Pagod na pagod na ang bayan

Hingal na hingal na ang bayan

Palaklakin ng lipovitan



Sundin natin ang utos ng dayo

Itaas na ang presyo ng krudo't langis

Kung ayaw ng tao, bawasan ang serbisyo

At dagdagan pa ang buwis

Industrialization ang pupuntahan

Militarization ang tanging daan

Welcome to the future: Philippines 2000



Hilunghilo na ang bayan

Litunglito na ang bayan

Kamusta kaya ang kilusan



Businesspeople, overseas workers

Media at entertainers, NGO at Simbahan

Peace talks, coop, nata de condom

Levy, lotto, remittance, basta pagkakitaan

Salubungin natin ang kaunlaran

Kahit buhay natin ang kabayaran

Welcome to the future: Philippines 2000



Salubungin natin ang kaunlaran

Kahit buhay natin ang kabayaran

Welcome to the future: Philippines 2000

Philippines 2000

Gary Granada's 'Philippines 2000' stands as a defining anthem of the late 1990s pop revival in the Philippines. Released during a period of intense musical experimentation, the track blends traditional Filipino folk melodies with modern pop sensibilities, reflecting the cultural optimism and national identity prevalent at the time. As a centerpiece of Granada's discography, the song exemplifies his ability to fuse indigenous sounds with contemporary production, creating a sound that resonated deeply with the youth of the era. The recording captures the spirit of a nation embracing globalization while maintaining its roots, making it a significant work in the history of Philippine pop music. Its enduring popularity highlights the artist's skill in crafting songs that are both commercially viable and culturally relevant.