Memphis Will Be Laid To Waste
Norma Jean · Bless The Martyr And Kiss The Child [2002]
In your tuxedo suit.
I will give it a name.
Lower your defenses.
Lower your casket.
Open the door and open your grave.
Murder.
Now you're doing the waltz with your murderer.
Mediocrity is the killer.
You find yourself helpless.
Christ is not a fashion, fleeting away.
He laid emeralds in her eyes,
Oh, but I'd already tried
a bracelt made of gold and a scarlet thread around her wrist.
Everything was wrong
so we sang sentimental songs.
"Oh how seldom we belong but how elegant our kiss."
We painted crooked lines
but danced in perfect time to a love so much refined,
we know not what it is until like a dullen wine we pour
into a grief know before but never quite like this.
Never quite like this
All i know now is regret,
it follows like a silhouette
along the cobbelstone behind me,
but has nothing to say except to innocently ask,
its voice delicate as glass,
"Do you see me when we pass?"
but i continue on my way.
Memphis Will Be Laid To Waste
Norma Jean's 'Memphis Will Be Laid To Waste' stands as a stark, atmospheric song on the 2002 album 'Bless The Martyr And Kiss The Child'. The track embodies the band's signature blend of post-punk and shoegaze, characterized by distorted guitars and a brooding, industrial aesthetic that reflects the album's themes of urban decay and spiritual desolation. Released during a pivotal period for the group, the recording captures a specific moment in their evolution, moving away from earlier experimentalism toward a more cohesive, heavy sound. The song serves as a sonic portrait of a city in decline, utilizing minimalistic yet dense arrangements to evoke a sense of impending doom and melancholic resignation. It remains a defining piece of their discography, illustrating how Norma Jean utilized soundscapes to critique modern societal neglect.

