First Thing In The Morning

Kiki Dee · I've Got The Music In Me [2001]

I'm not out of danger

Where ever you may hide

There's still tears to be overcome

Wild dreams to ride



At night the sky is burning

And staring through the pains

I see all the past the future lies

Writing your name



On the roses

In the garden of love

First thing in the morning and last thing at night

All is reborn into dark into light



First thing in the morning I look through the sights

I aim to be there, be there

Out of sight but not out of vision

I know what I can see



Maybe

Shadows all are falling on me

Keep on running to me

On the roses



In the garden of love

First thing in the morning and last thing at night

All is reborn into dark into light

First thing in the morning I look through the sights



I aim to be there

First thing in the morning and last thing at night

All is reborn into dark into light

First thing in the morning I look through the sights



I aim to be there, be there, be there

First thing in the morning and last thing at night

All is reborn into dark into light

What else can I do but to look through the sights



I aim to be there, to be there

I aim to be there, there

First thing in the morning and last thing at night

All is reborn into dark into light



First thing in the morning I look through the sights

I aim to be there

First thing in the morning and last thing at night

Last thing at night



First thing in the morning I look through the sights

First thing

First Thing In The Morning

Released on Kiki Dee's 2001 compilation I've Got The Music In Me, this track showcases the British singer's enduring appeal as a 1960s pop icon. The song features Dee's signature clear vocals and melodic sensibilities, characteristic of her work during her peak years in the mid-1960s. As part of her extensive discography, the recording highlights her ability to blend romantic themes with accessible pop structures that defined the era. The track remains a staple of her catalog, reflecting her status as a prominent figure in British music history and a key artist in the Fontana Records catalogue.