Shout For Joy

Lincoln Brewster · Joy To The World [2012]

Pour out your fervent praise

There's a song to raise

Like a banner high

Lift up your grateful heart

To the Morning Star

He's alive and here with us



Shout for joy

For the Son of God

Is the Saving One

He's the Saving One



Shout for joy

See what love has done

He has come for us

He's the Saving One



We stood on sinking sand

He reached out His hand

Pulled us to His side

We turned our hearts away

He was strong to save

Now our Savior reigns in us



Shout for joy

For the Son of God

Is the Saving One

He's the Saving One



Shout for joy

See what love has done

He has come for us

He's the Saving One



There is no other God like You

We'll sing the praises that You're due

Jesus, You have saved us



There is no other God who reigns

You are the name above all names

Jesus, You have saved us



Shout for joy

For the Son of God

Is the Saving One

He's the Saving One



Shout for joy

See what love has done

He has come for us

He's the Saving One

About Shout For Joy

Lincoln Brewster's "Shout For Joy" stands as a vibrant centerpiece on the 2012 album *Joy To The World*, exemplifying his signature blend of traditional hymnody and contemporary gospel energy. Recorded with a polished production style, the track transforms classic liturgical themes into an uplifting anthem that resonates within modern worship settings. Brewster, known for his extensive catalog of sacred music including works like "Everlasting God" and "O Come, O Come, Emmanuel," consistently delivers recordings that bridge historical reverence with accessible, rhythmic appeal. This particular composition highlights his ability to infuse familiar melodies with fresh arrangements, creating a sound that feels both timeless and immediately engaging for congregations seeking spirited celebration. The recording reflects a broader trend in recent years where traditional hymnals are being reimagined with modern instrumentation and vocal techniques, ensuring these spiritual classics remain relevant and dynamic for new generations of listeners.