Together (Wherever We Go)
Peggy Lee · Other Songs - Peggy Lee
We're gonna go through it together.
We may not go far, but sure as a star,
Wherever we are, it's together.
Wherever I go I know he goes.
Wherever I go I know she goes.
No fits, no fights, no feuds
And no egos, Amigos, together!
Through thick and through thin,
All out or all in.
And whether it's win, place or show.
With you for me and me for you,
We'll muddle through whatever we do.
Together, wherever we go.
Wherever we go, whatever we do,
We're gonna go through it together.
Wherever we sleep, if prices are steep,
We'll always sleep cheaper together.
Whatever the boat I row, you row.
A duo
Whatever the row I hoe, you hoe.
A trio.
And any I. O. U., I owe you-oh's?
Who, me-oh? No, you-oh.
No, we-oh.
Together!
We all take the bow
Including the cow,
Though business is lousy and slow.
With Herbie's vim, Louise's verve,
Now all we need is someone with nerve.
Together
Together
Wherever
Wherever
Together, wherever,
Together, wherever we go.
We go in a group,
We tour in a troupe.
We land in the soup, but we know
The things we do, we do by threes.
A perfect team.
No, this way, Louise!
Together
Together
Wherever
Wherever
Together, wherever we go!
Together (Wherever We Go)
Peggy Lee's 1953 recording of 'Together (Wherever We Go)' stands as a quintessential example of the romantic ballad style that defined her early career. The track features Lee's signature vocal delivery, characterized by a clear, emotive tone that conveys both vulnerability and resilience. Released during the height of her fame following her hit 'Fever', the song reflects the era's focus on intimate storytelling and emotional depth within the pop and jazz genres. While the specific album placement varies in historical records, the recording itself remains a staple of her discography, showcasing her ability to blend technical precision with raw feeling. The composition, often associated with the era of swing and early rock and roll, captures the universal sentiment of enduring partnership, cementing its place in the canon of mid-century American music.