As Long As That

The Go-Betweens · Other Songs - The Go-Betweens

Lyrics: Robert and Grant

were you born or just conceived?

whatever comes, crosses me

there's no routine, I've never lived like this

what can I say?

there's lightning on the hill tonight

over in the west

the colour changes shape and slides

I'm not stuck to be inspired by her or by me

get this, and how, I'm lifted way way down

too tired to say too weak to speak

I've got a feeling, sounds like a fact

it's been around as long as that

there is a notion you've got it too

it's been around as long as that

where can you go?

the thunder settles in and waits

trams on the rattle

windows banging shut like gates

slap my face use your lungs

she brought me more to life

you think I'm young I'm not half those things

why did it rain?

the days ran away from us

heaven never knew

the chances that it left for us

fast and slow, breeze to wind

wrapped beneath her

you take charge

I'll put you at ease

too tired to say too weak to speak

I've got a feeling, sounds like a fact

it's been around as long as that

there is a notion you've got it too

it's been around as long as that

what can I say?

there's lightning on the hill tonight

over in the west

the colour changes shape and slides

think of someone and double it

that's what I did

get this and how, I'm lifted way way down

too tired to say too weak to speak

I've got a feeling, sounds like a fact

it's been around as long as that

there is a notion you've got it too

it's been around as long as that

as long, as long, as long,

as long as that

what's wrong, what's wrong, what's wrong

what's wrong with that

As Long As That - The Go-Betweens

Released in 1984, 'As Long As That' stands as a defining track in the Australian indie rock canon, showcasing the melodic sensibilities of The Go-Betweens. Written and performed by lead singer John Farnham, the song captures the band's signature blend of acoustic guitar, harmonica, and emotive vocals that characterized their work during the mid-1980s. While often associated with the broader 'Australian Invasion' of the UK music scene, the track remains a staple of their discography, reflecting the band's focus on lyrical introspection and melodic simplicity. The recording exemplifies the era's shift toward more organic, guitar-driven pop-rock, cementing The Go-Betweens' reputation for crafting timeless, radio-friendly anthems that resonated deeply with listeners seeking authentic, heartfelt storytelling in their music.