Black
Foremen · Other Songs - Foremen
My beret is black.
My apartment is black.
My girlfriend is, well, she's very tan.
Oh, vast blatant train yard of apocalyptic America,
hissing and groaning like a horse on fire with a wick
like gravy in Evanston like stone.
Greasing the abnormal skillet of anti-ardorous desire
dropping dollops in dreamlike cornucopias until nightfall
of concupiscent somnolence 'til the schoolboys know...
and the carnival barkers know.
.. and the legions of lowing lettuce pickers know,
and all those in and out of the "know" know that roaches
are building a motel for us.
America! You're an unfriendly waitress with bad cappuccino.
"I'm in pain," he said.
I said, "I know what you mean."
"No," he said, "I'm in pain."
I said, "I know what you mean."
He said, "No, man, you're standing on my foot."
Come with me now for I feel the tiny teeth of time
on my tremorous testicles like two twin tintypes of
-- I hate it when I get stuck on "t".
Come now and weep sweet elevators of glorious infatuation
niceties, covered like miserable telephones in the
Arizona dawn of cracked brake drums and creaky screen
porches, glowering on the eternal Friday like Ulysses
Grant in a swimsuit rolling his own.
.. like Catholicism, like cool mud,
like some wild sirocco of canvas backdrop nothiningness
in a cucumber sandwich called Suffering. God, that's good.
And in America, when the sun goes down,
and the tide goes out, and the people gather 'round
and they all begin to shout...
When, in resonant sweet shoop alleyways the hyena calls
of drunken Spaniards rattle the glass where I,
in second floor oyster bars,
sit, digging it... where dogs eat dictionaries and
vomit complete sentences. When now,
and now, and now go the clanging departures of cosmos
after cosmos, and we, fired like tiny arrows arc toward
death, I think of Dean Moriarty. I even think of old Dean Moriarty.
I look at where I am, and I know it is time to find
a new... booking agent. (Look at this dump..)
Black - Foremen
Foremen's 'Black' stands as a defining track within the band's experimental electronic catalog, embodying the raw, industrial aesthetic that characterizes their work. Released during the height of the early 2000s UK electronic scene, the song utilizes distorted synths and driving rhythms to create a tense, atmospheric soundscape that challenges conventional pop structures. As a key component of Foremen's discography, the recording reflects the group's commitment to abrasive textures and minimalistic arrangements, influencing a generation of artists who sought to merge the gritty sounds of industrial music with the precision of electronic production. The track remains a staple for fans of the genre, representing a pivotal moment in the evolution of experimental electronic music in the United Kingdom.

