You Can Have Him

Irving Berlin · Other Songs - Irving Berlin

[maizie:]

You can have him

I don't want him

He's not worth fighting for

Besides there's plenty more where he came from

I don't want him

You can have him

I'm giving him the sack

And he can go right back where he came from

I could never make him happy

He'd be better off with you

I'm afraid I never loved him

All I ever wanted to do was



Run my fingers thru his curly locks

Mend his underwear and darn his socks

Fetch his slippers and remove his shoes

Wipe his glasses when he read the news

Rub his forehead with a gentle touch

Mornings after when he's had too much

Kiss him gently when he cuddled near

Give him babies one for ev'ry year, so you see

I don't want him, you can have him

You can have him, I don't want him

For he's not the man for me



[monique:]

You can have him

I don't want him

He's not worth fighting for

Besides there's plenty more where he came from

I don't want him

You can have him

He isn't my concern

And he can just return where he came from

I would look a trifle silly

Taking him away from you

That was never my intention

All I ever wanted to do was



Close the window while he soundly slept

Raid the icebox where the food is kept

Cook a breakfast that would please him most

Eggs and coffee and some buttered toast

Wake him gently with a breakfast tray

After breakfast clear the things away

Bring the papers and when they've been read

Spend the balance of the day in bed, so you see

I don't want him, you can have him

You can have him, I don't want him

For he's not the man for me

You Can Have Him

Irving Berlin's "You Can Have Him" stands as a quintessential example of his mastery in American musical theater and popular songwriting. Written for the 1932 film "The Man Who Came to Dinner," the track exemplifies Berlin's ability to blend witty, conversational lyrics with an infectious, upbeat melody. As a staple of the Great Depression era, the song captured the optimism and humor of the time, becoming a signature piece that defined Berlin's contribution to the musical comedy genre. Its enduring popularity highlights Berlin's skill in crafting songs that were both commercially viable and culturally resonant, cementing his status as one of the most influential composers of the 20th century.