Do Wah Diddy Diddy

Manfred Mann · Down The Road Apiece [2007]

There she was just walking down the street

Singing do wah diddy diddy dum diddy do

Snapping her fingers and shuffling her feet

Singing do wah diddy diddy dum diddy do



She looked good(looked good)

She looked fine(looked fine)

She looked good, she looked fine

And I nearly lost my mind



Before I knew it she was walking next to me

Singing do wah diddy diddy dum diddy do

holding my hand just natural as can be

Singing do wah diddy diddy dum diddy do



We walked on(walked on)

To my door(my door)

We walked on to my door

Then we kissed a little more



wo wo wo

I knew we were falling in love

yes I did

And so I told her all the things I'd been dreaming of



Now we're together

Nearly every single day

Singing do wah diddy diddy dum diddy do

We're so happy and that's how we're gonna stay

Singing do wah diddy diddy dum diddy do



Well I'm hers(I'm hers)

She's mine(She's mine)

I'm hers she's mine

Wedding bells are going to chime



wo wo wo

I knew we were falling in love

yes I did

And so I told her all the things I'd been dreaming of



Now we're together

Nearly every single day

Singing do wah diddy diddy dum diddy do

We're so happy and that's how we're gonna stay

Singing do wah diddy diddy dum diddy do



Well I'm hers(I'm hers)

She's mine(She's mine)

I'm hers she's mine

Wedding bells are going to chime



Woaah, oh yeah



Do wah diddy diddy dum diddy do

Do wah diddy diddy dum diddy do

Do wah diddy diddy dum diddy do

Do Wah Diddy Diddy

Manfred Mann's 1966 hit 'Do Wah Diddy Diddy' stands as a defining moment in psychedelic rock history, blending the band's signature brass arrangements with the emerging sound of the British Invasion. Recorded for their album 'Down The Road Apiece,' the track features the iconic vocal hook by guitarist Paul Jones, who famously improvised the repetitive chant that became synonymous with the song's title. The recording captures the frenetic energy and experimental spirit of the mid-1960s, showcasing the band's ability to merge jazz influences with rock rhythms. While the song initially faced mixed reception due to its unconventional structure and the controversial nature of the vocal refrain, it has since been recognized as a cult classic that influenced countless artists across genres. Its enduring legacy lies in its unique fusion of brass instrumentation and psychedelic rock, cementing Manfred Mann's place in music history.