One Of The Fortunate Few

Delbert McClinton · Other Songs - Delbert McClinton

Well, for one thing, there was a whole lot of guys

Who would've liked to have been in my shoes

But the upkeep on a woman like that

Will give an old poor boy the blues



Still the pleasure was worth the pain

Of everything she put me through

And I consider myself one of the fortunate few



Yeah and another thing she wasn't just good looking

Her imagination just wouldn't quit

She'd make you do things you never thought about

And things you wouldn't want to admit



There must be somebody else out there

That feels about her like I do

And I consider myself one of the fortunate few



It felt so good to hurt so bad

The best and the worst that I ever had

I know I bit off a little more than I could chew

Still, I consider myself, one of the fortunate few



Well, the last thing I'm gonna tell you

Some things are better left unsaid

A gentleman don't go talkin' about

What happens in a woman's bed



That's all I've got to say

I'll leave the rest up to you

But I consider myself one of the fortunate few

One Of The Fortunate Few

Delbert McClinton's 'One Of The Fortunate Few' stands as a defining track within his expansive catalog of country rock and blues-infused storytelling. Recorded during the height of his career, the song exemplifies McClinton's signature ability to blend raw emotional vulnerability with a gritty, authentic sound that resonated deeply with audiences. The recording captures the essence of his work in the late 1970s and early 1980s, where he frequently collaborated with producers like David Briggs to craft records that bridged the gap between traditional country and rock. As a staple of his discography, the track highlights his prowess as a songwriter who often drew inspiration from the lives of ordinary people, framing their struggles and triumphs within a narrative that feels both intimate and universal. The song remains a testament to McClinton's enduring influence on the genre, showcasing a musical style that prioritized lyrical depth and melodic strength over technical virtuosity.