ÄŒakam
Andrej Šifrer · ÄŒakam
jaz te čakam.
Bolj, ko me obijaš, me nase privijaš,
to veš.
Ti si sreča, ki peče in čas, ki ne teče,
pa te čakam.
Znanci se mi smejijo,
z menoj ne govorijo nič več.
Ko tema zleze nad Koseze,
prikrade se do tvojih vrat,
takrat bi rad znal tvoje misli brat.
Najhujš' je pa zvečer,
ko vase se podrem,
mi kaplja kane v pir,
pa mal' umrem.
Mal' umrem.
Zdaj tud' Bog mi verjame,
da te ustvaru je zame, pa te čakam.
Pred Gospodom sva čista,
a ne pred ljudmi, to drži.
Kontrola mi peša,
da v glav' se mi meša, tolk' te čakam.
V men' se nekaj nabira,
sam', da ne eksplodira prekmal'.
Ko tema zleze nad Koseze,
prikrade se do tvojih vrat,
takrat bi rad znal tvoje misli brat.
Najhujš' je pa zvečer,
ko vase se podrem,
mi kaplja kane v pir,
pa mal' umrem.
Mal' umrem.
Cirkus odhaja iz našega kraja,
pa kar čakam.
Na ustnicah smeh, solze v očeh,
jaz pa na tleh.
Namesto las volna,
preoblečen v klovna, te kar čakam.
Maham v slovo karnevalu,
ki ga sploh ni bilo.
Ko tema zleze nad Koseze,
prikrade se do tvojih vrat,
takrat bi rad znal tvoje misli brat.
Najhujš' je pa zvečer,
ko vase se podrem,
mi kaplja kane v pir,
pa mal' umrem.
ÄŒakam
Andrej Šifrer's ÄŒakam stands as a defining track within his discography, exemplifying the melodic sensibilities of Slovenian pop-rock. Released on the self-titled album of the same name, the recording captures the essence of Šifrer's signature style, blending acoustic guitar work with emotive vocals that resonate with the broader Slavic pop tradition. As part of a catalog that includes notable works like Zagorski Zvonovi and Gorska Roža, ÄŒakam reflects the artist's ability to craft songs that balance lyrical depth with catchy, radio-friendly arrangements. The track remains a staple in discussions of Slovenian music from the late 20th century, showcasing Šifrer's enduring influence on the genre and his capacity to create recordings that have stood the test of time.