Get Nasty

Ashlee Simpson · Other Songs - Ashlee Simpson

All the nasty girls around the world

All the nasty girls around the world

Get nasty uh uh, get nasty uh



I'm living on the floor, get down with me

I'm living on the floor, come on with me

Get nasty uh uh, get nasty uh

Get nasty uh uh, get nasty uh



I'm living on the floor, get down with me

I'm living on the floor, come on with me

Get nasty uh uh, get nasty uh

Get nasty uh uh, get nasty uh



30 second high and 30 second lows

I forgot my car, let's get a cab and go



Somebody called the cop, a riots on the way

When we get to the club, they'll be hell to pay

When we get to the club, somebody better play

Get nasty uh uh, get nasty uh

Get nasty uh uh, get nasty uh



Everybody's lookin for a good time

Don't you know a good time doesn't hurt

Everybody wants to feel the spotlight

So let me show you how my nasty works



I'm living on the floor, get down with me

I'm living on the floor, come on with me

Get nasty uh uh, get nasty uh

Get nasty uh uh, get nasty uh



Everybody's lookin for a good time

Don't you know a good time doesn't hurt

Everybody wants to feel the spotlight

So let me show you how my nasty works (whoa...)



Just work it

Bump it

Now flip it, oh

And freak it



30 second high and 30 second lows

I forgot my car let's get a cab and go



I'm living on the floor, get down with me

I'm living on the floor, come on with me

Get nasty uh uh, get nasty uh

Get nasty uh uh, get nasty uh (whoa...)



All the nasty girls around the world

Around the world

Get Nasty

Ashlee Simpson's "Get Nasty" stands as a defining track from her 2004 debut album, Autobiography. Released during a pivotal era for pop music, the song blends her signature vocal style with a driving rhythm that captured the attention of a generation. As a lead single, it served as a commercial and critical success, establishing Simpson as a major new voice in the genre. The recording reflects the polished production typical of mid-2000s pop, emphasizing her emotive delivery and the song's catchy hook. It remains a staple of her discography, representing her early career's ability to connect with listeners through relatable themes and a distinct sonic identity.