Fuckwithmeyouknowigotit
Jay-Z · Magna Carta Holy Grail [2013]
Little over a year ago I was ...
And now I'm back out here reaping the blessings
And getting the benefits that go along with it
...
[Hook x2: Rick Ross]
Fuck with me
You know I got it
Fuck with me
You know I got it
Sexy bitch I hope she's 'bout it
Come fuck with me
You know I got it
[Verse 1: Rick Ross]
I just landed in Europe, nigga
Shopping bags, I'm a tourist, nigga
Money talk I speak fluent, nigga
Reeboks on, I just do it, nigga
Look at me, I'm pure nigga
I bet the hoes on my tour, nigga
I don't bop, I do the money dance
My bitch whip cost a hundred grand
Red vert, tou see me slide
Sexy bitch I hope she's 'bout it
Sexy bitch I know she 'bout it
Fuck with me, you know I got it
[Hook x2]
[Verse 2: Jay-Z]
Hov just landed in Rome, nigga
All hail, Caesar's home, niggas
Chin don, Ciao Bella
Come money dance with the good fellas
Hov keep gettin' that dinero, got it
Even if a nigga gotta Robert, get it?
Black Jack in casino
A nigga got unlimited credit, a nigga got a lot of vendettas
But we the Black mob, we gonna set it
Peel off in a Lamborghini Countach
200 in the dash we gonna rev it, skirt
Lucky Luciano is what that call me Paisano
A 100 keys at the piano plays across the Verrazano
El Padrino, in the villa in Venice sipping vino
Not bad for a Mulliano
Y'all know like we know, I got it
[Hook x2: Jay-Z]
[Outro: Rick Ross]
I'm riding big
Coming down that beach
Geechy niggas with satin sheets
Bad bitch, she a masterpiece
Got a bad bitch, she a masterpiece
Fuckwithmeyouknowigotit
Released on the 2013 album Magna Carta Holy Grail, Fuckwithmeyouknowigotit stands as a testament to Jay-Z's enduring command of the hip-hop landscape. The track captures the artist's signature blend of braggadocio and introspection, showcasing his ability to distill complex emotions into concise, rhythmic phrasing. As part of a discography that has redefined the genre, this recording highlights the rapper's continued relevance during an era of rapid industry shifts. The song's production complements his vocal delivery, creating a sonic environment that emphasizes both confidence and vulnerability. Within the broader context of his body of work, it serves as a reminder of his consistent ability to craft memorable hooks and compelling narratives without relying on excessive ornamentation.