Rough And Ready Man
Freda Payne · Other Songs - Freda Payne
I want an extra special kind
When I get the type of man I want
I know I'm gonna have a little time
Got to be ambitious, a man that loves to work
I don't want no man that's lazy, no man that tries to shirk
I want a two-fisted, double-jointed, rough and ready man
I want a hard working, no shirking, good and steady man
Now he can be a backwards farmer or a digger in a ditch
He can even drive a garbage wagon
Honey it don't make no difference which
Long as he's a two-fisted (oh please), double-jointed, rough and ready man
I want a hard working, no shirking, good and steady man
Now I don't have to have a fat man
And neither must he be too thin
And I sure don't want no guy
Got to get all pepped up on gin
And if he doesn't like soap and water
Don't let that worry you â?¦we'll get along
But honey I want a man like Joe Louis
You knowâ?¦ a man that's big and strong
I want a two-fisted, double-jointed, rough and ready man
I want a hard working, no shirking, good and steady man
Now he can be knock-kneed, box-ankled
He can even have frog-eyes
But that won't make a bit of differenceâ?¦ if he's Okâ?¦ otherwise
I want a two-fisted, double-jointed, rough and ready man
I want a hard working, no shirking, good and steady man
When he snores I want the force to blow the bedclothes to the floor
And the breezes from his wheezes to knock the padlock off the door
When I come home some morning all dressed up like Esther's horse
I want him to grab me and tear all of my clothes,
just to let me know who's boss
I want a two-fisted, double-jointed, rough and ready man
I want a hard working, no shirking, good and steady man
I want a man who won't let his children play with neither dog nor cat
But will drag in a skunk or a lion and say
"Here, you kids, play with that"
I want a two-fisted, double-jointed, rough and ready man
Is that clear to you?
Rough and ready man
About Rough And Ready Man
Freda Payne's "Rough And Ready Man" stands as a defining track from her 1973 debut album, *Reaching Out*. Released during the height of the disco era, the song blends upbeat dance rhythms with Payne's distinctive, soulful vocal delivery to create a unique fusion of rock and dance music. As one of her most recognizable hits, it showcases her ability to craft catchy melodies that resonated with audiences across the United Kingdom and internationally. The recording captures the vibrant energy of early 1970s pop, featuring a driving beat and a chorus that became synonymous with Payne's early career. While the song did not achieve the same chart dominance as her later work, it remains a significant song in her discography, representing her transition from folk influences to mainstream pop and dance genres. Its enduring appeal lies in its infectious rhythm and Payne's charismatic performance, making it a staple for fans of classic 70s music.

