I Shook Dem Haterz Off

Gucci Mane · Other Songs - Gucci Mane

(chorus)



I shook dem haters off, I shook dem haters off,

I shook dem haters off, I shook dem haters off,

I shook dem haters off, I shook dem haters off,

I shook dem haters off, I shook dem haters off,

I shook dem haters off, I shook dem haters off,

I shook dem haters off, I shook dem haters off,

I shook dem haters off, I shook dem haters off,

I shook dem haters off, I shook dem haters off,



(Verse)



I'm the type a guy hit the studio smokin dro,

and your the type a guy in the O wit nan to smoke,

now i'm the type a guy hit the club and I make it rain,

and your the type a guy like Cat buy me a chain,

i'm the type a hit park and drop my top,

and your the type a guy baby mamma at da bus stop,

now i'm the type a guy swing on you when i see you,

you got on dem dickies i got on dem evisu's,

i'm the type a guy keep money cuz i be HUSTLIN,

your the type a guy i use to pay to tow my luggage,

and your the type a guy hit the mall but window shoppin,

Gucci can i be yo hype man HELL naw you Garbage,



(chorus)



I shook dem haters off, I shook dem haters off,

I shook dem haters off, I shook dem haters off,

I shook dem haters off, I shook dem haters off,

I shook dem haters off, I shook dem haters off,

I shook dem haters off, I shook dem haters off,

I shook dem haters off, I shook dem haters off,

I shook dem haters off, I shook dem haters off,

I shook dem haters off, I shook dem haters off,



(verse 2)



Your the type a Bitch old as hell still tryna rap,

and i'm the type a nigga young as hell an i run the

trap, now your the type a freak say lick your Georgia

PEACH, you married to a lame and dat lame don't wont

no BEEF, now he the type a nigga that a old lame ass

Bitch a want, aint never drank no beer aint Never rolled no Blunt

I Shook Dem Haterz Off

Released by Gucci Mane, "I Shook Dem Haterz Off" stands as a quintessential example of his aggressive, high-energy style that defined the early 2000s Atlanta trap sound. The track features rapid-fire delivery and a menacing beat, characteristic of Mane's ability to project dominance and confront his critics with raw intensity. As a standalone recording, it exemplifies the lyrical directness and street narratives that became hallmarks of his discography during this prolific era. The song captures the essence of the Southern hip-hop movement, blending hard-hitting percussion with vocal flows that demanded attention and set the tone for the genre's evolution. It remains a definitive piece of his catalog, showcasing the unapologetic attitude that fans and critics alike associate with the artist's most impactful work.