Super
Gigi D'Agostino · Other Songs - Gigi D'Agostino
(Albertino Voice)
BassLine!
Give me the drums!
Tarari and Tarara and Tarara and Tarari in the place to be!
Ladies and Gentleman,
you are ready to party with Alba and GgDag?
Ok...you are ready to party?
you are ready to rock the house up side down?
you are ready to Tarari and Tarara, Alba and GiGi Dag?
Tarari and Tarara, Alba and GiGi Dag .....
Un Deux Trois, Tarari Comme Ci Comme Ca
One Two Three Tarari the place to be ...
Ok, now put your hands in the air,
and wave them like you just don't care...
to tarari .. in the place to be
We got GGDAG in the house...
(Gigi D'Agostino Voice)
Un Deux Trois, Tarari Comme Ci Comme Ca
One Two Three Tarari the place to be ...
(Albertino Voice)
We got Alba in the house
if you are ready to party, with Tarari and Tarara...
BassLine!
Give me the drums!
Tarari and Tarara and Tarara and Tarari in the place to be!
Ladies and Gentleman,
you are ready to party with Alba and GgDag?
Ok...you are ready to party?
you are ready to rock the house up side down?
you are ready to Tarari and Tarara, Alba and GiGi Dag?
Tarari and Tarara, Alba and GiGi Dag .....
Un Deux Trois, Tarari Comme Ci Comme Ca
One Two Three Tarari the place to be ...
Ok, now put your hands in the air,
and wave them like you just don't care...
to tarari .. in the place to be
We got GGDAG in the house...
(Gigi D'Agostino Voice)
Un Deux Trois, Tarari Comme Ci Comme Ca
One Two Three Tarari the place to be ...
(Albertino Voice)
We got Alba in the house
if you are ready to party, with Tarari and Tarara...
Super - Gigi D'Agostino
Released in 1999, Gigi D'Agostino's 'Super' stands as a defining track of the Eurodance genre, characterized by its driving four-on-the-floor beat and infectious synth-pop melody. The song propelled D'Agostino to international fame, becoming a staple in dance clubs and radio stations across Europe and beyond. Its upbeat tempo and catchy chorus made it an enduring anthem for the late 1990s dance scene, influencing countless subsequent electronic and pop productions. The recording exemplifies the era's fusion of French pop sensibilities with high-energy electronic instrumentation, cementing D'Agostino's legacy as a key figure in the global dance music landscape of that period.