Real Gone Lover
Van Morrison · Other Songs - Van Morrison
I'm hip, I'm in the know
I'm a real gone lover
I'm hip, I'm in the know
And if ya love me one time
You'll soon come back for more
Come over to my pad
Come over to my pad and play
Come over to my pad
Come over to my pad and play
Like the old saying goes
When sunshines, let's make hay
Well, I'm a nervous fella (he's a nervous fella)
I'm a nervous fella (he's a nervous fella)
I'm a little-little nervous fella
(He's a nervous fella)
I'm a little-little nervous fella
(He's a nervous fella)
I'm a nervous fella
Don't make me wait all night
I'm a real gone lover
I'm hip, I'm in the know
(Sing it with me)
I'm a real gone lover
I'm hip, I'm in the know
And if ya love me one time
You'll soon come back for more
(Come on over babe)
Come over to my pad
Come over to my pad and play
(Come on over)
Come over to my pad
Come over to my pad and play
(Come over baby) (ooo, I'm comin')
Like the old saying goes
When the sun shines, let's make hay, ha
I'm a nervous fella (I'm a real gone lover)
I'm a nervous fella (ho, I'm a real gone lover)
I'm a n-n-n-nervous fella (and I'm a real gone lover)
I'm-m-m a n-n-n-nervous fella (and I'm a real gone lover)
I'm a nervous fella
So don't make me wait all night
(Sing one more time)
I'm a nervous fella
(He's a nervous fella)
I'm a nervous fella
(And I'm a real gone lover)
I'm a n-n-n nervous fella
(Ooo, he's a nervous fella)
I'm a n-n-n nervous fella
(And I'm a real gone lover)
I'm a nervous fella
So, don't make me wait all night
About Real Gone Lover
Van Morrison's "Real Gone Lover" stands as a poignant exploration of lost affection, characteristic of his ability to blend soulful vocals with intricate musical arrangements. Released during a period where Morrison frequently revisited themes of romantic longing and spiritual introspection, the track exemplifies his signature style of weaving complex harmonies with deeply personal narratives. The song reflects his broader discography's focus on the bittersweet nature of relationships, capturing the emotional weight of a lover slipping away without resorting to clichéd phrasing. Musically, the recording showcases Morrison's mastery of phrasing and his capacity to convey profound emotion through melody alone. It aligns with his work from the 1970s and 1980s, where he often explored the intersection of secular love and spiritual yearning. The piece remains a testament to his enduring influence on the soul and rock genres, offering listeners a timeless reflection on the transient nature of human connection.