Gods & Monsters

Lana Del Rey · Tropico - Single [2013]

In the land of gods and monsters, I was an angel

Living in the garden of evil

Screwed up, scared, doing anything that I needed

Shining like a fiery beacon

You got that medicine I need

Fame, liquor, love, give it to me slowly

Put your hands on my waist, do it softly

Me and God we don't get along, so now I sing



No one's gonna take my soul away,

Living like Jim Morrison

Headed towards a fucked up holiday

Motel, squeeze, squeeze, and I'm singing:

Fuck yeah give it to me, this is heaven, what I truly want

It's innocence lost

Innocence lost



In the land of gods and monsters, I was an angel,

Lookin' to get fucked hard

Like a groupie incognito posing as a real singer

Life imitates art

You got that medicine I need

Dope, shoot it up straight to the heart please

I don't really wanna know what's good for me

God's dead, I said "baby that's alright with me"



No one's gonna take my soul away

Living like Jim Morrison

Headed towards a fucked up holiday

Motel, squeeze, squeeze, and I'm singing:

Fuck yeah give it to me, this is heaven, what I truly want

It's innocence lost

Innocence lost



When you talk it's like a movie, and you're making me crazy

'Cause life imitates art.

If I get a little prettier can I be your baby?

You tell me life isn't that hard



No one's gonna take my soul away

Living like Jim Morrison

Headed towards a fucked up holiday

Motel, squeeze, squeeze, and I'm singing

Fuck yeah, give it to me, this is heaven, what I truly want

It's innocence lost

Innocence lost

Gods & Monsters

Lana Del Rey's 'Gods & Monsters' serves as a hauntingly atmospheric track from her 2013 single release, 'Tropico.' The recording exemplifies her signature blend of baroque pop and cinematic noir, characterized by lush orchestration and a melancholic vocal delivery. Released during a pivotal period in her career, the song reflects the darker, more introspective themes that would later define her discography, particularly following the success of 'Born to Die.' It captures a specific mood of romanticized decay and existential longing, utilizing rich production to create a soundscape that feels both timeless and distinctly personal. The track stands as a testament to her ability to weave together classical influences with modern pop sensibilities, establishing a sonic identity that resonates deeply with fans of dream pop and alternative rock.