I Like Head

Yg · Other Songs - Yg

i dont like hand jobs, bitch i like head (x8)

Fuck jacking me off, girl suck me slow

If the head good then you know we fuck fo show

Livin' that life as a young star, got them hoes get dirty like chuck yards

My nigga Mustard on the beat hoe,

you know the routine what i got to speak fo.

Now get down on your knees,

and tell the lord how much you love me now run it back

Lil ratchet hoe, i aint fucking that,

She know my girl friend, now thats a fucking trap

The crazy thing she do for a hunnid rack,

suck a hunnid homies up in the fucking back.

Now i'm asking where the fuck you went to school,

Krenshaw high shit i shoulda known that

She said her boyfriend pack i got dick to....True



I dont like hand jobs, bitch i like head (x8)

Dont touch the dick, such the dick, excuse my mouth but fuck this shit

I go hard but go harder in the summer till my account

got seven digit like my phone number

I dont love em, i mistreat em, did her wrong cause i didnt need her

dog these hoe, i dont feed em, they ask me for advise i mislead em.

Back to the hit girl, i need a jump though,

stop playin girl this aint jump rope.

You be on and off im tryna be all in,

Amber Rose is the only bitch look good bald head

I need all head, no cuts, i need that good make a nigga say "hold up"

I fuck Bitches, Stack briches, In Los Angeles County baby ratchet city

I dont like hand jobs bitch i like head

I Like Head

Yg's "I Like Head" stands as a quintessential example of his signature blend of Southern hip-hop and trap influences, characterized by his distinctive vocal delivery and rhythmic flow. Released during a prolific period for the Atlanta-based artist, the track exemplifies the genre's evolution in the mid-2010s, featuring a production style that prioritizes atmospheric textures over traditional drum patterns. As part of Yg's broader discography, the song reflects his ability to craft introspective yet catchy tracks that resonate within the underground and mainstream rap scenes alike. The recording captures the essence of his early work, showcasing his lyrical focus on personal identity and street life, which remains a defining trait of his musical catalog.