Another One Rides The Bus
Weird Al Yankovic · Weird Al Yankovic
And the place was pretty packed.
Couldn't find a seat, so I had to stand,
With the perverts in the back.
It was smellin' like a locker room.
There was junk all over the floor.
We're already packed in like sardines,
But we're stoppin' to pick up more.
Look out!
Another one rides the bus-ah.
Another one rides the bus-ah.
And another comes on,
And another comes on.
Another one rides the bus.
Hey!
He's gonna sit by you.
Another one rides the bus.
There's a suitcase pokin' me in the ribs.
There's an elbow in my ear.
There's a smelly old bum standin' next to me.
Hasn't showered in a year.
Well, I think I'm missin' a contact lens.
I think my wallet's gone.
And I think this bus is stoppin' again,
To let a couple more freaks get on.
Look out!
Another one rides the bus-ah.
Another one rides the bus-ah.
And another comes on,
And another comes on.
Another one rides the bus-ah.
Hey!
He's gonna sit by you.
Another one rides the bus.
Another one rides the bus--ah.
Another one rides the bus--ow!
Another one rides the bus--hey, hey!
Another one rides the bus--hey-y-y-y!
The window doesn't open, and the fan is broke,
And my face is turnin' blue.
I haven't been in a crowd like this
Since I went to see The Who.
Well, I should'a got off a couple miles ago,
But I couldn't get to the door.
There isn't any room for me to breathe.
Now we're gonna pick up more, yeah!
Another one rides the bus-ah.
Another one rides the bus-ah.
And another comes on,
And another comes on.
Another one rides the bus-ah.
Hey!
He's gonna sit by you.
Another one rides the bus.
Another One Rides The Bus
Weird Al Yankovic's 'Another One Rides The Bus' stands as a quintessential example of his signature style, blending slapstick comedy with polished pop production. Released on his 1983 debut album, the track showcases his ability to transform mundane observations into catchy, rhythmic songs that resonate across generations. The recording features Yankovic's distinctive vocal delivery and comedic timing, characteristic of his early work which established him as a parody icon. While the lyrics rely on visual humor and situational irony, the musical arrangement employs standard pop structures that ensure the song's broad appeal. It remains a staple of his discography, reflecting the era's fascination with novelty acts and demonstrating how satire can be packaged within a mainstream musical framework.