Just Like That
Baby Bash · Cyclone [2007]
Do it like that
Just like that
Do it, do it like that
Just like that
Do it like that
Just like that
Bounce it from the back
Let me hit it from the (back)
[Baby Bash]
[Verse 1]
No worries, no rush, mama, take your time
Bumpin' that booty way down in line
I'm a freak, of the week, I ain't playin' no games
When it comes to money makin', know your top notch games
She wanna add me to her life, like a MySpace friend
Cause I kill it from the (back) and keep her body shakin'
Mama Doogie like that, bubba one more time
And when you shake it, don't fake it, Beezy blow my mind
[Repeat Chorus]
[Verse 2]
I just got a (back) from my cousin Jesus
And now she way loose off the grey and the goose
And she don't play, and I don't play, I'm a put this out on blast
I update, that cupcake, boss up like Johnny Cash
I know she tell her friends
Her friends gon' tell they friends
And when they see me, they gon' know what I'm carrying
I'm an ice cold Mexican, hell yeah, I do it Gonzo
In the back of the Escalanzo, me and her gon' do it pronto
[Repeat Chorus]
[Baby Bash slowed down]
Short skirts and high heels
Short skirts and high heels
Short skirts and high heels
Yeah, get it, get low
Short skirts and high heels
Short skirts and high heels
Short skirts and high heels
Yeah, get it, hit the floor
We gon' boss up, boy, we gon' boss up
We gon' boss up, boy, we gon' boss up
We gon' boss up, boy, we gon' boss up
We gon' boss up, boy, we gon' boss up
[Repeat Chorus]
About Just Like That
Baby Bash's "Just Like That" stands as a quintessential example of early 2000s English dancehall, capturing the genre's signature blend of rhythmic bounce and melodic hooks. Released on the album *Cyclone [2007]*, the track exemplifies the artist's ability to craft infectious rhythms that defined the era's sound. As a key component of Baby Bash's discography, the recording showcases the smooth vocal delivery and percussive instrumentation characteristic of dancehall music from the mid-2000s. The song reflects the broader cultural movement of the time, where artists like Baby Bash helped popularize the genre's specific cadence and lyrical themes across international audiences. Its enduring appeal lies in its ability to serve as a reliable, high-energy track for dance floors, cementing its place within the catalog of classic dancehall recordings.

