I Shot The Sheriff

Eric Clapton · Time Pieces (Vol.1 & 2) [2010]

I shot the sheriff,

But I did not shoot the deputy.

I shot the sheriff,

But I didn't shoot the deputy.



All around my home town

They're trying to track me down.

They say they want to bring me in guilty

For the killing of the deputy;

For the life of a deputy.



I said..

I shot the sheriff,

But I swear it was in self defence.

I shot the sheriff

And they say it was a capitol offence.



Sheriff John Brown always hated me.

For what? I don't know,

But every time that I plant a seed,

He said, "Kill it before it grows."

He said, "Kill it before it grows."



I said..

I shot the sheriff,

But I swear it was in self defense.

I shot the sheriff,

But I swear it was in self defense.



Freedom came my way one day

And I started out of town.

All of a sudden I see Sheriff John Brown

Aimin' to shoot me down.

So I shot, I shot him down.



I said..

I shot the sheriff,

But I did not shoot the deputy.

I shot the sheriff,

But I didn't shoot the deputy.



Reflexes got the better of me

And what is to be must be.

Every day the bucket falls to the world.

One day the bottom will drop out.

Yes, one day the bottom will drop out.



I said..

I shot the sheriff,

But I didn't shoot the deputy.

Oh, no, oh, no.

I shot the sheriff,

But I did not shoot no deputy.

Oh, no.

I Shot The Sheriff

Eric Clapton's 1970 recording of "I Shot The Sheriff" stands as a definitive rock and roll interpretation of Bob Marley's iconic reggae composition. Originally recorded by The Wailers, the song was transformed into a blues-rock anthem when Clapton covered it on his 1970 album "Reptile," a track that became a staple of his discography and a defining moment in his solo career. The recording features Clapton's signature slide guitar work and a driving rhythm section that recontextualizes the original's social commentary within the framework of British blues. This version has since become a cultural touchstone, frequently covered by artists across genres and cementing Clapton's reputation as a master of blues guitar. Its inclusion on later compilations like "Time Pieces" highlights its enduring status as a classic rock track that bridged the gap between American blues tradition and Caribbean rhythm. The song remains a powerful example of how a cover can transcend its source material to create a new, enduring musical identity.