Super Bon Bon (1999 Cover)
Nickelback · Other Songs - Nickelback
and let the man go through
let the man go through
Move aside
and let the man go through
let the man go through
Move aside
and let the man go through
let the man go through
Move aside
and let the man go through
let the man go through
Through
If I stole
Somebody else's wave
To fly up.
If I rose up
Up with the avenue
Behind me.
Some kind of verb.
Some kind of moving thing.
Something unseen.
Some hand is motioning
to rise, to rise, to rise.
Too fight that you must cut clean.
You got to take the elevator to the mezzanine,
Chump, change, and it's on, Super bon bon
Super bon bon, Super bon bon.
Too fight that you must cut clean.
You got to take the elevator to the mezzanine,
Chump, change, and it's on, Super bon bon
Super bon bon, Super bon bon.
And by
The phone
I live
In fear
Sheer Chance
Will draw
You in
To here.
Too fight that you must cut clean.
You got to take the elevator to the mezzanine,
Chump, change, and it's on, Super bon bon
Super bon bon, Super bon bon.
Too fight that you must cut clean.
You got to take the elevator to the mezzanine,
Chump, change, and it's on, Super bon bon
Super bon bon, Super bon bon.
Super bon bon, Super bon bon.
Super bon bon, Super bon bon.
Super bon bon, Super bon bon bon bon
Move up and let the man go let the man go
Move up and let the man go let the man go
Move up and let the man go let the man go
Move up and let the man go let the man go through
Move aside
and let the man go through
let the man go through
Move aside
and let the man go through
let the man go through
Move aside
and let the man go through
let the man go through
Move aside
and let the man go through
let the man go through
About Super Bon Bon (1999 Cover)
Nickelback's 1999 cover of "Super Bon Bon" stands as a distinct song in their discography, blending their signature hard rock sound with the pop sensibilities of the original track. Released during a pivotal era for the band, the recording showcases their ability to reinterpret popular songs while maintaining their own energetic identity. The track features the group's characteristic vocal harmonies and driving guitar riffs, characteristic of their work on albums like *The Long Road* and *Silver Side Up*. This version highlights the band's versatility, bridging the gap between their emerging rock status and their growing mainstream appeal in the late 1990s. It remains a notable example of their early catalog, reflecting the musical landscape of the time and contributing to their evolving artistic reputation.

