Party Animal Beat
Nicki Minaj · Other Songs - Nicki Minaj
We 'bout to get up, and burn this floor
You know we getting hotter, and hotter
Sexy and hotter, let's shut it down
Yo, what I gotta do to show these girls that I own 'em
Some call me Nicki, and some call me Roman
Skeeza, pleeza, I'm in Ibiza
Giuseppe Zanotti, my own sneaker
Sexy, sexy that's all I do
If you need a bad bitch
Let me call a few
Pumps on and them little mini skirts is out
I see some good girls, I'mma turn 'em out
OK bottle, sip, bottle, guzzle
I'm a bad bitch, no mussel, hey?
Bottle, sip, bottle, guzzle
I'm a bad bitch, no mussel, let's go
Music, makes me, high
Oh, oh, oh, come fill my glass up a little more
We 'bout to get up, and burn this floor
You know we getting hotter, and hotter
Sexy and hotter, let's shut it down
Pound the alarm!
Pound the alarm!
I wanna do it for the night, night
So get me now, and knock this over
I wanna do it like you like, like
Come get me, baby we're not getting younger
I just want you tonight, night
Baby we won't do it for life
Music, makes me, high
Oh, oh, oh, come fill my glass up a little more
We 'bout to get up, and burn this floor
You know we getting hotter, and hotter
Sexy and hotter, let's shut it down
Pound the alarm!
Pound the alarm!
Alarm, alarm, alarm, alarm
Oh, oh, oh, come fill my glass up a little more
We 'bout to get up, and burn this floor
You know we getting hotter, and hotter
Sexy and hotter, let's shut it down
Pound the alarm!
Pound the alarm!
About Party Animal Beat
Nicki Minaj's "Party Animal Beat" stands as a vibrant testament to her ability to blend high-energy pop with a distinct, rhythmic flair. Released during a prolific period in her career, the track exemplifies the genre of electronic dance music while maintaining her signature lyrical intensity and confident persona. As part of her broader discography, the song reflects the era's shift toward club-ready anthems that prioritize infectious beats alongside sharp vocal delivery. The recording captures the essence of a performer who thrives on creating moments of collective celebration, utilizing production elements that drive the energy forward without relying on traditional verse-chorus structures. It remains a notable song in her catalog, showcasing her versatility in crafting tracks designed for both radio play and live performance environments.