Daj mi to (feat. Marko Mandic)

Gazda Paja · Other Songs - Gazda Paja

Ona je bomba
kada proseta gradom
kad je vidim, tad mi dodje
da joj zapevam k'o Vlado

Skupa k'o galado
nije neka ljadro
egzoticna mamica
avokado

Glavom i bradom
na nju bi plan'o
zbog nje je centar BG-a
je kao Milano

Kad krene da djuska
odmah krsti se narod
ima motore u guzi
verano

Zbog nje pritisak mi je povisen
tesko, tesko, tesko
se kontrolisem

Kako da ti opisem
ta mala je sou
samo bi joj pev'o
da-da da-da-da-da-da, daj mi

Ref.
Daj mi to opet pa ponovo
daj mi to opet pa ponovo
daj mi to opet pa ponovo
daj mi to opet pa opet pa ponovo

Hajde daj mi sve
sa tobom imam sne
kako varim se
na nekoj veloj plazi

Ja havarisem
tol'ko da mor'o sam
pesmu da napisem

Hajde daj mi to
znam nevaljala je
a izgleda naivno

Ona nije avion
ona je aerodrom
mala slatka misterija
kao Kairo

Ref.

Daj mi to
nek' je krevet ili pod
daj mi to
daj da odlepimo skroz

Daj mi to
'ajde daj mi puta sto
daj mi sve sto mi treba
daj mi jos, daj mi jos

Daj mi to
ali neka bude isto
daj mi to i nista
te nisam pit'o

Daj mi to
kao da ne znam
pokazi mi sve sad
k'o da nisam
ponovo

Hocu da gledam
hocu da ne znam
al' nek bude isto

Daj mi to (feat. Marko Mandic)

Gazda Paja's "Daj mi to" stands as a defining track within the Yugoslav electronic and dance music landscape, featuring the prominent vocalist Marko Mandic. Released during the late 2000s and early 2010s, the recording exemplifies the genre's signature blend of heavy basslines, driving rhythms, and melodic vocal hooks that became central to the region's club culture. The collaboration highlights Mandic's ability to deliver emotive, high-energy performances that complement Gazda Paja's production style, creating a sonic identity deeply rooted in the Balkan dance tradition. As a staple of the era's festival and club playlists, the song remains a cultural touchstone, reflecting the specific aesthetic and communal spirit of Yugoslav electronic music at its peak. Its enduring popularity underscores the lasting impact of this specific recording on the regional sound.