Jesus Loves Me
Whitney Houston · The Bodyguard OST
Oo oo oo tells me tells me)
Yes, Jesus loves me
For the bible tells me so (so)
Jesus loves me this I know
For the bible tells me so
Little ones to him belong
They are weak but he is strong
Chorus:
Yes Jesus loves me
Oh yes Jesus loves me
Yes, Jesus loves me
For the bible tells me so
Pressing on the upper way
Always guides me more I pray
Undeserving and stubbornly
Never fail to love me still
Repeat Chorus
Yes, Jesus loves me
Loves, oh yes Jesus loves me
For the bible tells me so
(I know I am loved) For the bible tells me so
(Feels so good to know ) That I'm never alone
See sometimes I'm lonely but never alone
For the bible tells
For the bible tells
For the bible tells me so
See I know that he loves me
Whether I'm right (mm)
Whether I'm wrong (oh yes he did)
For the bible tells me (so)
Yes, Jesus loves me
For the bible tells me so (so)
Jesus loves me this I know
For the bible tells me so
Little ones to him belong
They are weak but he is strong
Chorus:
Yes Jesus loves me
Oh yes Jesus loves me
Yes, Jesus loves me
For the bible tells me so
Pressing on the upper way
Always guides me more I pray
Undeserving and stubbornly
Never fail to love me still
Repeat Chorus
Yes, Jesus loves me
Loves, oh yes Jesus loves me
For the bible tells me so
(I know I am loved) For the bible tells me so
(Feels so good to know ) That I'm never alone
See sometimes I'm lonely but never alone
For the bible tells
For the bible tells
For the bible tells me so
See I know that he loves me
Whether I'm right (mm)
Whether I'm wrong (oh yes he did)
For the bible tells me (so)
Jesus Loves Me - Whitney Houston
Recorded for The Bodyguard soundtrack, this track showcases Whitney Houston's signature vocal power and emotional depth within a contemporary Christian music framework. As a staple of her discography, the song reflects her ability to blend gospel influences with pop sensibilities, a hallmark of her work on the film's score alongside other iconic tracks. The recording demonstrates her technical mastery and emotional vulnerability, reinforcing her status as a defining voice in both mainstream pop and contemporary worship music during the 1990s.