Call Me, Beep Me! (Tony Phillips Remix)
Christina Milian · Other Songs - Christina Milian
Oh, yeah-yeah.
Call me, (call me,) beep me, (beep me,) if you wanna reach me, (reach me, reach me, reach me.)
Call me, (call me,) beep me, (beep me,) if you wanna reach me.
Oh, yeah-yeah.
Call me, (call me,) beep me, (beep me,) if you wanna reach me, (reach me, reach me.)
Call me, (call me,) beep me, (beep me,) if you wanna page me, (when you wanna, when you wanna.)
(So what's the sitch?
It is I, Ron Stoppable.)
Oh, yeah-yeah.
(Ron Stoppable's around!)
I'm your basic average girl and I'm here to save the world,
You can't stop me 'cause I'm (Kim, Kim, Kim) Possible.
There is nothin' I can't do, when danger comes just know that I am on my way, (know that I am on my way.)
Doesn't matter where or when there's trouble,
If you just call my name: Kim Possible.
Call me, beep me if you wanna reach me,
When you wanna page me, it's okay.
I just can't wait until I hear my cell phone ring.
Doesn't matter if it's day or night,
Everything is gonna be alright.
Whenever you need me, baby,
Call me, beep me if you wanna reach me.
(Nice work, boys.
That would be so cool if it wasn't gonna hurt us.)
Oh, yeah-yeah.
Message clear, I am here,
Let me reassure you, I'm never gonna leave you alone, (I am, I'm on the way.)
If you always count on me, when it gets dark I'll help you see.
I will help you find your way, (help you find your way.)
Doesn't matter where or when there's trouble,
If you just call my name: Kim Possible!
Call me, beep me if you wanna reach me,
When you wanna page me, it's okay.
I just can't wait until I hear my cell phone ring.
Doesn't matter if it's day or night,
Everything is gonna be alright.
Whenever you need me, baby,
Call me, beep me if you wanna reach me.
Call me, beep me if you wanna reach me,
If you wanna page me, it's okay.
(It's impossible!
Actually it's possible,
Kim Possible,
But that's a common mistake.)
Call me, (call me,) beep me, (beep me,) if you wanna reach me, (reach me, reach me, reach me.)
Call me, (call me,) beep me, (beep me,) if you wanna reach me.
Oh, yeah-yeah.
Call me, (call me,) beep me, (beep me,) if you wanna reach me, (reach me, reach me.)
Call me, (call me,) beep me, (beep me,) if you wanna page me, it's okay.
Call me, (call me,) beep me, (beep me,) if you wanna reach me, (reach me.)
Call me, (call me,) beep me, (beep me,) when you wanna, when you wanna page, when you wanna page me.
Call me, (call me,) beep me, (beep me,) if you wanna reach me, (reach me.)
Yeah-hey-yeah!
Call me, (call me,) beep me, (beep me,) if you wanna page me.
Oh, yeah-yeah!
Doesn't matter where, doesn't matter when, (doesn't matter when,)
I will be there for you till the very end, (till the very end.)
Danger or trouble, I'm there on the double.
You know that you always can call Kim Possible!
Yeah-hey-yeah!
(Ah, my teenage foe!)
Yeah-hey, yeah-hey, yeah!
Call me, beep me if you wanna reach me,
When you wanna page me, it's okay.
I just can't wait until I hear my cell phone ring.
Doesn't matter if it's day or night,
Everything is gonna be alright.
(It's ringin', yeah,) whenever you need me, baby!
Call me, beep me if you wanna reach me,
When you wanna page me, it's okay.
I just can't wait until I hear my cell phone ring.
Doesn't matter if it's day or night,
Everything is gonna be alright.
Whenever you need me, baby,
Call me, beep me if you wanna reach me.
Call me, (call me,) beep me, (beep me,) if you wanna reach me.
Call me, (call me,) beep me, (beep me,) if you wanna page me.
(Yeah-hey-yeah!)
Call me, (call me,) beep me, (beep me,) if you wanna reach me.
(Boo ya!)
About Call Me, Beep Me! (Tony Phillips Remix)
Christina Milian's "Call Me, Beep Me! (Tony Phillips Remix)" stands as a defining track from her late 1990s era, blending R&B sensibilities with the emerging hip-hop influence of the time. The remix, produced by Tony Phillips, transforms the original material into a high-energy dancefloor staple that showcases Milian's vocal agility and the collaborative spirit of her discography. Released during a period where she was solidifying her status as a leading voice in contemporary R&B, the song reflects the genre's shift toward incorporating rap verses and more rhythmic structures. Its enduring popularity highlights Milian's ability to craft recordings that resonated with both radio formats and club audiences, cementing her legacy as a versatile artist capable of navigating diverse musical landscapes while maintaining her signature vocal style.
