Should Have Known Better

Sufjan Stevens · Carrie & Lowell [2015]

I should have known better

To see what I could see

My black shroud

Holding down my feelings

A pillar for my enemies



I should have wrote a letter

And grieve what I happen to grieve

My black shroud

I never trust my feelings

I waited for the remedy



When I was three, three maybe four

She left us at that video store

Be my rest, be my fantasy



I'm light as a feather

I'm bright as the Oregon breeze

My black shroud

Frightened by my feelings

I only want to be a relief



No, I'm not a go-getter

The demon had a spell on me

My black shroud

Captain of my feelings

The only thing I want to believe



When I was three, and free to explore

I saw her face on the back of the door

Be my vest, be my fantasy



I should have known better

Nothing can be changed

The past is still the past

The bridge to nowhere

I should've wrote a letter

Explaining what I feel, that empty feeling



Don't back down, concentrate on seeing

The breakers in the bar, the neighbor's greeting

My brother had a daughter

The beauty that she brings, illumination



Don't back down, there is nothing left

The breakers in the bar, no reason to live

I'm a fool in the fetter

Rose of Aaron's beard, where you can reach me



Don't back down: nothing can be changed

Cantilever bridge, the drunken sailor

My brother had a daughter

The beauty that she brings, illumination

Should Have Known Better

On the 2015 album Carrie & Lowell, Sufjan Stevens delivers 'Should Have Known Better,' a poignant reflection on regret and the passage of time. The track exemplifies Stevens' signature blend of folk and chamber pop, utilizing lush orchestration and intricate vocal harmonies to explore themes of lost opportunities and emotional vulnerability. Released during a period where Stevens frequently examined the complexities of human relationships and societal structures, the song serves as a narrative companion to other works on the record, such as 'Fourth of July.' Its composition highlights his ability to weave personal introspection with broader musical textures, creating a recording that resonates deeply within the contemporary indie-folk landscape.