The Only Thing

Sufjan Stevens · Carrie & Lowell [2015]

The only thing that keeps me from driving this car

Half-light, jack knife into the canyon at night

Signs and wonders: Perseus aligned with the skull

Slain Medusa, Pegasus alight from us all



Do I care if I survive this? Bury the dead where they're found

In a veil of great surprises; I wonder did you love me at all?



The only thing that keeps me from cutting my arm

Cross hatch, warm bath, Holiday Inn after dark

Signs and wonders: water stain writing the wall

Daniel's message; blood of the moon on us all



Do I care if I despise this? Nothing else matters, I know

In a veil of great disguises; how do I live with your ghost?



Should I tear my eyes out now?

Everything I see returns to you somehow

Should I tear my heart out now?

Everything I feel returns to you somehow

I want to save you from your sorrow



The only reason why I continue at all

Faith in reason, I wasted my life playing dumb

Signs and wonders: sea lion caves in the dark

Blind faith, God's grace, nothing else left to impart



Do I care if I survive this, bury the dead where they're found

In a veil of great surprises; hold to my head till I drown

Should I tear my eyes out now, before I see too much?

Should I tear my arms out now, I wanna feel your touch



Should I tear my eyes out now?

Everything I see returns to you somehow

Should I tear my heart out now?

Everything I feel returns to you somehow

The Only Thing - Sufjan Stevens

From the 2015 album Carrie & Lowell, "The Only Thing" stands as a poignant centerpiece in Sufjan Stevens' evolving catalog. The track exemplifies Stevens' signature blend of folk and art pop, characterized by intricate harmonies and introspective lyricism. Released during a period where Stevens frequently explored themes of memory, loss, and the passage of time, the recording reflects his deep engagement with American regionalism and personal narrative. The song's placement on Carrie & Lowell, a collection of intimate songs written for his sister, underscores the familial and emotional core of the work. It serves as a testament to Stevens' ability to weave complex musical arrangements with vulnerable storytelling, maintaining a distinct voice within the contemporary folk landscape.